Yoko Ono
:For the Die Ärzte song, see Yoko Ono (song)
Still Provocative
Ono again proved herself to be a provocative and controversial artist with her contribution to the fourth Liverpool Biennial in 2004. With banners, bags, stickers, postcards, flyers, posters and badges, she flooded the city with two images: one of a woman?s naked breast, the other of her pudendum. The piece, titled "My Mummy Was Beautiful," was dedicated to Lennon's mother, Julia, who had died when Lennon was a teenager. According to Ono the work was meant to be innocent, not shocking. She was attempting to replicate the experience of a baby looking up at his or her mother?s body: the mother?s vagina and breasts are a child?s introduction to humanity.
Related Topics:
Liverpool Biennial - 2004 - Banners - Bags - Sticker - Postcards - Flyers - Posters - Badges - Naked - Breast - Pudendum - Teenager - Baby - Vagina - Breasts - Humanity
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Some in Liverpool, including Lennon's half-sister, Julia Baird, found the citywide installation offensive. Indeed, the BBC program North West Tonight invited viewers to phone in their opinion of the piece, and of the 6,000 viewers who responded 92% wanted the images removed.
Related Topics:
Installation - BBC - North West Tonight
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However, others appreciated the conceptuality of the work. Chris Brown, of Liverpool's Daily Post, wrote: "Many have loved the work… and Yoko Ono has again managed to get the eyes of the world looking in our direction."
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An editorial in The Times of London wrote: "Her unmissable contribution to the fourth Liverpool Biennial dominates the event and seems also to symbolise the new international Liverpool… Ono manages successfully to get right up the noses of the locals, as she always has. Brilliant… As always with Ono's art, a simple act has become a radical one."
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Some local councillors welcomed the removal of Ono's image from the deconsecrated Church of St. Luke. "I'm delighted that it has been removed," said Joe Anderson, leader of the Labour Party group. "I find it appalling that the picture was put in a place which offended people. St. Luke's is a war memorial and many people felt it was being desecrated with this picture." (Ono's art was placed there at the invitation of St Luke's Peace Centre in recognition of John Lennon and Yoko Ono's steadfast promotion of peace.) The biennial's chief executive, Lewis Biggs, denied the claim that it was moved due to public pressure: "The banner was taken down to replace the one torn down at the Bluecoat Centre over the weekend. The only banner of the same size was at St. Luke's. If the biennial had the money to replace the one at the church, we would have." He further stated, "There are a great many people who enjoy and support this project."
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Paul Domela, deputy chief executive of Liverpool Biennial, said: "We were aware that some would object to it. But, at the same time, we realised that a great many would love it as well… We have got bags, stickers and badges that are so popular we cannot give out enough of them because they are going so quickly." He continued, "In the campaign for the election in the European Union, there was an image of a woman breast feeding. The campaign was aired across Europe, including some very Catholic countries. Over here, the difference was that the nipple was removed. This baby had its mouth open into nothingness. What does that say about the relationship we have in this country to motherhood? To begin to think about that and talk about it is very important."
Related Topics:
European Union - Europe - Nipple - Motherhood
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In response to the controversy Ono stated, "I wasn't trying to insult Liverpool. In fact, when I thought of the idea and I visualized this beautiful mom's breasts and vagina all around the city I thought, 'Ah, it would be so beautiful', and it's like giving them love, because we are all born from mother's body, and that's the first thing that we were nurtured by—mothers' breasts. Somehow people try to inhibit that memory. Women are put in a position of feeling embarrassed about their bodies. It's so ridiculous, but also astounding—we have to always be apologetic about having created the human race."
Related Topics:
Love - Born - Nurture - Human race
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Of her artistic inspiration she said, "I'm always inside myself and listening to what's coming into my head. I'm like a conduit of some message coming through me. I'm interested in everything, equally, every day. I'm in love with life, the world, every moment."
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