United States v. Paramount Pictures, Inc.
United States v. Paramount Pictures, Inc., 334 US 131 (1948) (also known as the Hollywood Antitrust Case of 1948) was a landmark United States Supreme Court anti-trust case that decided the fate of movie studios owning their own theatres and holding exclusitivity rights on which theatres would show their films. It would also change the way Hollywood movies were produced, distributed, and exhibited. The Court held in this case that the existing distribution scheme was in violation of the antitrust laws of the United States, which prohibit certain exclusive dealing arrangements.
Background
The legal issues had its genesis with the silent era, when the Federal Trade Commission began investigating film companies for potential violations under the Sherman Antitrust Act of 1890.
Related Topics:
Federal Trade Commission - Sherman Antitrust Act - 1890
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Ultimately, the main issue of monopolization would be the reason behind all the major movie studios being sued in 1938 by the U.S. Department of Justice. The case reached the U.S. Supreme Court ten years later. The verdict went against the studios, forcing all of them to divest of their movie theater chains.
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The court orders forcing the separation of motion picture production and exhibition companies are commonly referred to as the Paramount Decrees. While Paramount was forced to sell its own theater chain (which merged with the American Broadcasting Company, former United Paramount Theaters boss Leonard Goldenson leading ABC for decades), it is today controlled by another theater chain, National Amusements (through its control of Viacom, which was created by, divested as a result of another antitrust action by, and now owns, CBS as well). However, it seems unlikely that a vertically integrated motion picture business will ever be revived.
Related Topics:
American Broadcasting Company - Leonard Goldenson - National Amusements - Viacom - CBS
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~ Table of Content ~
| ► | Introduction |
| ► | Background |
| ► | The consequences |
| ► | Fate of film libraries |
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