Turner Prize

The Turner Prize is an annual prize given to a British visual artist under 50, named after the painter J.M.W. Turner. It is organized by the Tate art gallery, and since its beginnings in 1984 it has become the United Kingdom's most publicised art award. The prize fund in 2004 was £40,000.

Criticism of the Turner Prize

As well as criticism by such figures as Brian Sewell, who has written that "The annual farce of the Turner Prize is now as inevitable in November as is the pantomime at Christmas", there have been the following less formal attacks on the prize.

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• In 1993, Jimmy Cauty and Bill Drummond of the K Foundation received media coverage for the award of the "Anti-Turner Prize", £40,000 to be given to the "worst artist in Britain", voted from the real Turner Prize's short-list. Rachel Whiteread, who won the real prize, also won the anti-Turner Prize. She refused to accept the money at first, but changed her mind when she heard the cash was to be burned instead, and gave £30,000 of it to artists in financial need and the other £10,000 to the housing charity, Shelter. The K Foundation went on to make a film in which they burned £1 million of their own money.
• In 1999 two artists, Jian Jun Xi and Yuan Cai, jumped onto Tracey Emin's work, My Bed, stripped to their underwear, and had a pillow fight. Police detained the two, who called their performance Two Naked Men Jump Into Tracey's Bed.
• In 1999 a pro-painting group of artists known as the Stuckists was formed. They show particular antipathy towards the Turner Prize, describing it as an "ongoing national joke" and "a state-funded advertising agency for Charles Saatchi"; they continue: "the only artist who wouldn't be in danger of winning the Turner Prize is Turner", concluding that it "should be re-named The Duchamp Award for the destruction of artistic integrity".
• The art critic David Lee has argued that since the re-organisation of the prize in 1991 the shortlist has been dominated by artists represented by the London dealers most closely linked to the collector Charles Saatchi; Jay Jopling, Maureen Paley and Victoria Miro. This is not entirely supported as the Lisson Gallery has had the most success of any gallery with the Turner Prize from 1991 to 2004.
• In 2002 culture minister Kim Howells pinned the following statement to a board in a room specially-designated for visitors' comments. "If this is the best British artists can produce then British art is lost. It is cold mechanical, conceptual bullshit. Kim Howells. P.S. The attempts at conceptualisation are particularly pathetic and symptomatic of a lack of conviction"