Thomas Dewing

Thomas Wilmer Dewing (May 4, 1851 – November 5, 1938) was an American painter working at the turn of the 20th century. He was born in Newton Lower Falls, Massachusetts. He studied at the Académie Julian in Paris, and later settled into a studio in New York City. He married Maria Oakey Dewing, an accomplished painter who possibly intimidated Dewing due to her extensive formal art training and familial links with the art world.

Related Topics:
May 4 - 1851 - November 5 - 1938 - Newton Lower Falls, Massachusetts - Académie Julian - Paris - New York City - Maria Oakey Dewing

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He is best known for his tonalist paintings, a sub-genre of American art that was rooted in English Aestheticism. Dewing's most common vehicle of artistic expression is the female figure. Often seated playing instruments, writing letters, or engaged in other impassive actions and situated in gauzy, dreamy interiors, the figures remain remote and distant to the viewer. These scenes are tinged with color that pervades the entire picture, setting tone and mood. Some feminist critics have lambasted Dewing's work as being misogynistic; he rarely painted anything other than the female figure decked in sumptuous clothing with vacant expressions.

Related Topics:
Tonalist - Aestheticism

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Tonalism quickly came to be considered outdated with the advent of modernism and abstraction in art, though Dewing was successful in his own day. His art was considered extremely elegant, and has undergone a subtle revival in the last 10 years or so. The foremost Dewing scholar living today is Susan A. Hobbs. The most complete publication regarding Dewing in book format is "The Art of Thomas Wilmer Dewing: Beauty Reconfigured".

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Dewing was a member of the Ten American Painters, a group of Impressionists who seceded from the Society of American Artists in 1897.

Related Topics:
Ten American Painters - Impressionist - Society of American Artists - 1897

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