The Touch

The Touch (originally titled Ber?ringen) is a film directed by Ingmar Bergman. It's the story of a married woman falling in love with another man. The married couple - Max von Sydow and Bibi Andersson - live in fine rapport, their personalities matching well. Both are quiet, contemplative, and very rational persons, not liable to act spontaneous. The intruder - Elliott Gould - on the idyll which they embody together with their teenaged daughter is in contrast an impetuous man, uncompromising, overbearing, and tormented by inner contradictions and compulsions. Andersson tells him at one point that he hates himself. The two clandestine lovers aren't appropriate for each other. They have difficulties to accept the other's social behaviour and stance and don't like it to lie to their environments. But soon they cannot live without each other anymore.

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The point of the film cannot be to show how two contrary characters complement each other, as Andersson was even more happy with von Sydow before and because it's all told in such a detached manner. The portrait of a love would like to involve the spectators to convey the joy and pain of it. Instead the question why Andersson turns away from von Sydow toward Gould seems intentionally perplexing. The dialogues and acting of the lovers is cerebral and cold, as if they were reciting dazedly on a stage, astounding themselves with their actions and feelings. As if they were actuating on an impulse isolate from their personalities. This impulse or drive is not eros, as especially at the beginning of their affaire sex is more a problem than a fulfilment to these two diffident lovers. Maybe love or the need to feel and give love is itself such a drive, an autonomous thing asserting itself regardless of the circumstances and the characters involved.

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The central metaphor of the film is a medieval wooden statue of Mary, recently excavated after being buried for centuries - like Gould's and Andersson's potential to be lovers or man and woman. But with the disinterment of the Mary there also come alive insect larvae inside her, corroding her from within. Before they meet Gould attempted suicide and Andersson was reduced to a wife. They flower in their new love and it destroys their lives.

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Civilization means in many ways the domestication of our impulses. Therefore Andersson realizes that she must not harm lastingly her family and Gould's hidden wife/sister. This is true. But Gould is telling her that she is lying to herself by not eloping with him and he's right, too.

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Film: :This article is about motion pictures. For other uses of "film", see photographic film or film (disambiguation)...

Ingmar Bergman: Ingmar Bergman (pronounced in Swedish, but usually in English, IPA in Unicode notation) (born July 14, 1918) is a Swedish stage and film director who is one of the key film auteurs of the second half of the twentieth century....

Max von Sydow: Max Carl Adolf von Sydow (born on April 10 1929) is a Swedish actor, known in particular for his collaboraton with Ingmar Bergman....

The Touch related Images and Photos (experimental)

Fantasy Figure Gallery Luis Royo The Touch of Ice Statue	Touch	Touch	Touch
Light Touch	Gentle Touch	Touch of Pink	Touch Of Pink
Touch of Evil	Touch of Class, A (DVD)	Signature Touch	Touch of Scarlet