The Hunt of the Unicorn

The Hunt of the Unicorn is a series of seven tapestries dating from 1495–1505. The tapestries, often referred to as the Unicorn Tapestries, show a group of noblemen and hunters in pursuit of a unicorn which is eventually captured, brought back to a castle and chained to a tree.

Related Topics:
Tapestries - 1495 - 1505 - Unicorn

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Much of the tapestries' history is disputed and there are many theories about their original purpose and meaning, including suggestions that the seven tapestries were not originally hung together.

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The two major interpretations of the tapestries hinge on pagan and Christian symbolism. The pagan interpretation focuses on the medieval lore of beguiled lovers, whereas Christian writings interpret the unicorn and its death as the Passion of Christ. The unicorn has been identified as a symbol of Christ by Christian writers for thousands of years, allowing the traditionally pagan symbolism of the unicorn to become acceptable within religious doctrine. The original myths surrounding the Hunt of the Unicorn refer to a beast with one horn that can only be tamed by a virgin maiden; subsequently, Christian scholars translated this into an allegory for Christ's relationship with the Virgin Mary.

Related Topics:
Unicorn - Passion of Christ - Virgin Mary

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The tapestries were owned by the La Rochefoucauld family of France for several centuries. John D. Rockefeller, Jr. bought them in 1922 for about a million dollars and donated them to the Metropolitan Museum of Art in 1937. They now hang in The Cloisters which houses the museum's medieval collection. There is a similar set of tapestries made around the same time located in the Musée National du Moyen Âge in Paris based on the senses.

Related Topics:
La Rochefoucauld - John D. Rockefeller, Jr. - 1922 - Metropolitan Museum of Art - 1937 - The Cloisters - Musée National du Moyen Âge

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Beginning in 1998, the tapestries were cleaned and restored. In the process, the linen backing was removed, the tapestries were bathed in water, and it was discovered that the colors on the back were in even better condition than those on the front (which are quite vivid). A series of high resolution digital photographs were taken of both sides. Merging the photos required the efforts of two famous mathematicians, the Chudnovsky brothers.

Related Topics:
Linen - Digital photograph - Chudnovsky brothers

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