Slapstick

:This article is about comedic slapstick. For the science fiction novel by Kurt Vonnegut, see Slapstick (book). For the percussion instrument, see whip (instrument).

Related Topics:
Science fiction - Novel - Kurt Vonnegut - Slapstick (book) - Percussion instrument - Whip (instrument)

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Slapstick is a type of comedy involving exaggerated physical violence. (E.g., A character being hit in the face with a frying pan or running full-speed into a wall.) The style is common to those genres of entertainment in which the audience is supposed to understand the very hyperbolic nature of such violence to exceed the boundaries of common sense and thus license non-cruel laughter. Its greatest modern representations thus lie in cartoons (also called cartoonish violence) and the simple, amplified film comedies aimed at younger audiences. Though the term is often used pejoratively, the performance of slapstick comedy, based on exquisite timing and unerring calculation of execution, character reaction and audience laughter, is considered among the more difficult tasks facing a live performer.

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The style is derived from the Commedia dell'arte which employed a great deal of physical abuse and tumbling. The phrase comes from the battacio, a club-like object composed of two wooden slats which, when struck, produced a loud smacking noise; little force, however, is transferred from the object--called the 'slap stick' in English--to the person being struck, allowing actors to strike each other repeatedly with great audio effect while causing very little actual damage. Along with the inflatable bladder, it was among the earliest forms of special effects that could be carried on one's person.

Related Topics:
Commedia dell'arte - Slap stick - Special effect

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While the object from which we derive the modern term dates from the Renaissance, theatre historians argue that slapstick comedy has been at least somewhat present in almost all comedic genres since the rejuvination of theatre in church liturgical dramas in the middle ages. (Some argue for instances of it in Greek and Roman theatre, as well.) Beating the devil off stage, for example, remained a stock comedic device in many of the most serious religious plays. Shakespeare also incorporated many chase scenes and beatings into his comedies. Building off its later appearance in the nineteenth and early twentieth-century ethnic comedians of the American vaudeville house, the style was explored extensively during the "golden era" of black and white, silent movies directed by Mack Sennett and Hal Roach and featuring such notables as Buster Keaton, Charlie Chaplin, Laurel and Hardy the Keystone Kops, and the Three Stooges. Slapstick is also common in animated cartoons such as Tom and Jerry and Looney Tunes.

Related Topics:
Renaissance - Shakespeare - Vaudeville - Mack Sennett - Hal Roach - Buster Keaton - Charlie Chaplin - Laurel and Hardy - Keystone Kops - Three Stooges - Cartoon - Tom and Jerry - Looney Tunes

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In recent times, some have criticized representations of violence for encouraging actual violence, a claim supported by the American Pediatric Association. Slapstick comedy has not escaped negative attention, though its lengthy presence in performance history and obviously fictitious nature often inures it from the censorious efforts aimed at video games and action films. Indeed, the uninterrupted modern presence of slapstick comedy--running in film from Buster Keaton to Mel Brooks to the Farrelly Brothers, and in live performance from Weber & Fields to Jackie Gleason to Rowan Atkinson--suggests it shall remain a part of the comedic landscape.

Related Topics:
American Pediatric Association - Video games - Action films - Mel Brooks - Farrelly Brothers - Jackie Gleason - Rowan Atkinson

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