Silver Age of Comic Books

The Silver Age of Comic Books is an informal name for the period of artistic advancement and commercial success in mainstream American comic books, predominantly in the superhero genre, that lasted roughly from the mid 1950s to the early 1970s. It followed the Golden Age of Comic Books.

History

The beginning (as well as the end) of the Silver Age is cause for debate, but it is generally agreed that the period began with DC Comics’ Showcase #4 in 1956, which introduced the modernized version of the Flash. Under the editorship of Julius Schwartz, the Flash was the first of many old characters revised into more modern, science fiction-influenced versions. Others included Green Lantern, the Atom and Hawkman. DC also introduced The Justice League of America, an all-star group consisting of its most popular characters.

Related Topics:
DC Comics - Showcase - 1956 - Julius Schwartz - Green Lantern - Atom - Hawkman - Justice League of America

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The success of these series helped the company find a viable genre that could make for successful properties under the restrictions of the Comics Code Authority. This breathed new life into the comic book medium and sales began to recover.

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The period also saw the rise of Marvel Comics under the guidance of writer/editor Stan Lee and artists/cowriters Jack Kirby and Steve Ditko, who introduced more sophisticated characterization and dynamic plotting into superhero comics. The most popular and influential Marvel character of this period was Spider-Man. Other significant and long-lasting Marvel heroes introduced during the Silver Age include The Fantastic Four, The Incredible Hulk, Iron Man, Thor, Daredevil, The X-Men, and Marvel's own all-star group The Avengers

Related Topics:
Marvel Comics - Stan Lee - Jack Kirby - Steve Ditko - Spider-Man - Fantastic Four - Incredible Hulk - Iron Man - Thor - Daredevil - X-Men - The Avengers

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After an initial period of hesitance, DC began to adopt some of Marvel’s artistic approaches.

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The resurgence of the superhero genre proved so influential that publishing houses not known for their superheroes, like Archie Comics, Charlton Comics and Dell Comics, attempted their own superheroes, but met with limited critical and popular success. Tower Comics was an exception with the acclaimed T.H.U.N.D.E.R. Agents series by Wally Wood, but it was short-lived.

Related Topics:
Archie Comics - Charlton Comics - Dell Comics - Tower Comics - T.H.U.N.D.E.R. Agents - Wally Wood

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In addition, new artists, many of whom had formal education in their art, employed their education to expand the mainstream medium into new art styles previously ignored. The major examples include Neal Adams who introduced naturalism with his realistic style and Jim Steranko who introduced surrealism in his stories.

Related Topics:
Neal Adams - Naturalism - Jim Steranko - Surrealism

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The period hit its commercial peak in 1966-1968 with the popularity of the Batman TV series, which both heightened interest in comics and damaged their public image as a legitimate artistic medium.

Related Topics:
1966 - 1968 - Batman TV series

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The precise end of the Silver Age is in some debate. Candidate periods include:

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• The departure of Jack Kirby from Marvel Comics and beginning his Fourth World titles at DC Comics (1970).
• The retirement of Mort Weisinger, long-time editor of the Superman family of comics for DC. The Superman titles ended up being doled out to several editors, including Julius Schwartz, Murray Boltinoff, E. Nelson Bridwell, Mike Sekowsky and even (briefly) Jack Kirby.
• The advent of darker superhero stories in the early 1970s. During this time, Batman returned to his roots as a dubious vigilante, Dennis O'Neil and Neal Adams started the gritty, urban-themed series Green Lantern/Green Arrow, and Spider-Man’s love interest Gwen Stacy was killed off.
• The rise of a new wave of horror comics such as Ghost Rider and Tomb of Dracula in the early 1970s.
• The debut of the "All-New All-Different" X-Men in Giant-Size X-Men #1 (1975), restarting a franchise that would dominate subsequent decades.

After a brief period dominated by horror and fantasy titles, a third period of superheroes commonly referred to as the Bronze Age (by analogy with Bronze Age) began in 1975 (with the appearance of GIANT-SIZE X-MEN # 1). The period after that is variously referred to as the Modern Age of Comic Books, the Dark Age of Comic Books (referring to both a decline in the industry and the popularity of grim titles such as Frank Miller's The Dark Knight Returns and Alan Moore and Dave Gibbons' Watchmen), the Iron Age of Comic Books, or the Diamond Age of Comic Books (suggested by Scott McCloud, with the different facets signifying the current diversity in the medium).

Related Topics:
Bronze Age - Modern Age of Comic Books - Frank Miller - The Dark Knight Returns - Alan Moore - Dave Gibbons - Watchmen - Scott McCloud

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The Underground comics scene got its major start in this period. However because the artistic content, goals and marketing of these comic books were so different from the mainstream companies, it is generally considered a separate movement in the medium.

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