Samuel Barber

Samuel Osborne Barber (March 9, 1910 – January 23, 1981) was an American composer of classical music best known for his "Adagio for Strings" and "Medea's Dance of Vengeance."

Related Topics:
March 9 - 1910 - January 23 - 1981 - Composer - Classical music - Adagio for Strings

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He was born in West Chester, Pennsylvania and began to compose at the age of seven.

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He studied at the Curtis Institute of Music in Philadelphia before becoming a fellow of the American Academy in Rome in 1935. The following year he wrote his String Quartet in B minor, the second movement of which he would arrange for string orchestra as "Adagio for Strings."

Related Topics:
Curtis Institute of Music - Philadelphia - American Academy in Rome

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He avoided the experimentalism of some other American composers of his generation, preferring relatively traditional harmonies and forms. His work is lushly melodic and has often been described as neo-romantic.

Related Topics:
Melodic - Neo-romantic

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His songs, accompanied by piano or orchestra, are among the most popular 20th century songs in the classical repertoire. They include a setting of Matthew Arnold's "Dover Beach," originally written for string quartet and baritone, the Hermit Songs on anonymous Irish texts of the 8th to 13th centuries, and , written for the soprano Eleanor Steber and based on an autobiographical text by James Agee, the introductory portion of his novel A Death in the Family. Barber possessed a good baritone voice and, for a while, considered becoming a professional singer. He did make a few recordings, including his own Dover Beach.

Related Topics:
Piano - Matthew Arnold - Eleanor Steber - James Agee - A Death in the Family - Baritone - Singer

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Barber's Piano Sonata (1949), a piece commissioned by Richard Rodgers and Irving Berlin, was first performed by Vladimir Horowitz. It was the first large-scale American piano work to be premiered by such an internationally renowned pianist.

Related Topics:
Richard Rodgers - Irving Berlin - Vladimir Horowitz - Pianist

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Barber also composed several operas. Vanessa, composed to a libretto by Gian Carlo Menotti (who was his lover), premiered at the Metropolitan Opera in New York City. It was a critical and popular success, and Barber won a Pulitzer Prize for it. At the European premiere it met with a chillier reception, however, and is now little played there, although it remains popular in America.

Related Topics:
Opera - Gian Carlo Menotti - Metropolitan Opera - New York City - Pulitzer Prize

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Barber produced three concertos for solo instruments and orchestra, one for violin, one for cello, and one for piano (composed for, and premiered on September 24, 1962, by pianist John Browning, with Leinsdorf and the Boston Symphony Orchestra at Lincoln Center, New York). The New York Philharmonic commissioned an oboe concerto, but Barber only managed to complete the slow central Canzonetta before his death.

Related Topics:
Concerto - New York Philharmonic

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Among his purely orchestral works there are 2 Symphonies (1936; 1944), the Overture The School for Scandal (1932), three Essays for orchestra (1938; 1942; 1978) and the late Fadograph on a Yestern Scene (1973). There are also large-scale choral works, including the Prayers of Kierkegaard (1954) and The Lovers (1971).

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His piano works include the Piano Sonata (Op. 26), Excursions (Op. 20), Three Sketches, Souvenirs, and various other single pieces.

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Although never a prolific composer, Barber wrote much less after the flop of his opera Antony and Cleopatra (with a libretto by film and opera director Franco Zeffirelli) in 1966.

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He died in New York City in 1981.

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