Salsa music
Salsa music is a diverse and predominantly Caribbean and Latin genre that is popular across Latin America and among Latinos abroad; the style is the primary music played at Latin danceclubs and is the "essential pulse of Latin music", according to author Ed Morales {{ref|essentialpulse}}. Salsa incoporates multiple styles and variations; the term can be used to describe most any form of popular Cuban-derived genres (like chachachá and mambo). Most specifically, however, salsa refers to a particular style developed by the mid-1970s groups of New York City-area Cuban and Puerto Rican immigrants to the United States, and stylistic descendants like 1980s salsa romantica. Some people have claimed that salsa's style is primarily Cuban, though it is a hybrid of various Latin styles mixed with pop, jazz, rock and R&B {{ref|sompeople}}.
References
- Steward, Sue. "Cubans, Nuyoricans and the Global Sound". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 2: Latin & North America, Caribbean, India, Asia and Pacific, pp 488-506. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0
- {{Book reference|Author=Jones, Alan and Jussi Kantonen|Year=1999|Title=Saturday Night Forever: The Story of Disco|Publisher=A Cappella Books|ID=ISBN 1556524110}}
- {{book reference|Author=Morales|Title=The Latin Beat|Publisher=Da Capo Press|Year=2003|ID=ISBN 0306810182}}
- {{book reference|Author=Unterberger, Richie|Title=Music USA|Publisher=The Rough Guide|Year=1999|ID=ISBN 185828421X}}
~ Table of Content ~
| ► | Introduction |
| ► | Characteristics |
| ► | History |
| ► | References |
| ► | Notes |
| ► | See also |
~ What's Hot ~
~ Community ~
| ► | History Forum Come and discuss about History, Civilizations, Historical Events and Figures |
| ► | History Web-Ring A community of sites, blogs and forums dedicated to History. Do not hesitate to submit your site. |
and are licensed under the GNU Free Documentation License.
Lexicon - Privacy Policy - Spiritus-Temporis.com ©2005.
