Salsa music

Salsa music is a diverse and predominantly Caribbean and Latin genre that is popular across Latin America and among Latinos abroad; the style is the primary music played at Latin danceclubs and is the "essential pulse of Latin music", according to author Ed Morales {{ref|essentialpulse}}. Salsa incoporates multiple styles and variations; the term can be used to describe most any form of popular Cuban-derived genres (like chachachá and mambo). Most specifically, however, salsa refers to a particular style developed by the mid-1970s groups of New York City-area Cuban and Puerto Rican immigrants to the United States, and stylistic descendants like 1980s salsa romantica. Some people have claimed that salsa's style is primarily Cuban, though it is a hybrid of various Latin styles mixed with pop, jazz, rock and R&B {{ref|sompeople}}.

History

In the 1930s, 40s and 50s, Cuban music within Cuba was evolving into new styles derived primarily from son and rumba, while the Cubans in New York, living among many Latinos from Puerto Rico and elsewhere, began playing their own distinctive styles, influenced most importantly by African American music {{ref|HavanaNewYork}}. Their music included son and guarachas, as well as tango, bolero and danza, with prominent influences from jazz {{ref|earlyLatinstyles}}. While the New York scene continued evolving, Cuban popular music, especially mambo, became very famous across the United States. This was followed by a series of other genres of Cuban music, which especially effected the Latin scene in New York. The result, by the mid-1970s, was what is now known as salsa music.

Related Topics:
Son - Rumba - African American music - Guaracha - Tango - Bolero - Danza - Mambo

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Salsa evolved steadily through the later 1970s and into the 80s and 90s. New instruments were adopted and new national styles, like the music of Brazil, were adapted to salsa. New subgenres appeared, such as the sweet love songs called salsa romantica, while salsa became a major part of the music scene in Venezuela, Mexico and as far away as Japan. Diverse influences, including most prominently hip hop music, came to shape the evolving genre. By the turn of the century, salsa was one of the major fields of popular music in the world, and salsa stars were international celebrities.

Related Topics:
Music of Brazil - Salsa romantica - Hip hop music

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Origins

Salsa's roots can be traced back to the African ancestors that were brought to the Caribbean by the Spanish as slaves. In Africa, it is very common to find people playing music with instruments like the conga and la pandereta, instruments commonly used in salsa. Salsa's most direct antecedent is Cuban son, which itself is a combination of African and European influences {{ref|directantecedent}}. Large son bands were very popular in Cuban, beginning in the 1930s; these were largely septetos and sextetos {{ref|1930s}}. By the end of the 1940s, these bands grew much larger, becoming mambo and charanga orchestras led by bandleaders like Arsenio Rodriguez and Felix Chappotin {{ref|1940s}}. In New York City, at the center for mambo in the United States, the Palladium Dancehall, and in Mexico City, where a burgeoning film industry attracted Latin musicians, Cuban-style big bands were formed by Cubans and Puerto Ricans like Machito, Perez Prado, Tito Puente and Tito Rodriguez {{ref|NewYorkMexico}}.

Related Topics:
African - Caribbean - Spanish - Africa - Conga - La pandereta - Son - Mambo - Charanga - Arsenio Rodriguez - Felix Chappotin - Palladium Dancehall - Mexico City - Machito - Perez Prado - Tito Puente - Tito Rodriguez

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Mambo was very jazz-influenced, and it was the mambo big bands that kept alive the large jazz band tradition while the mainstream current of jazz was moving on to the smaller bands of the bebop era {{ref|mambobebop}}. Throughout the 1950s, Latin dance music, such as mambo, rumba and chachachá was mainstream popular music in the United States and Europe {{ref|mainstreampop}}. The 50s also saw a decline in popular for mambo big bands, followed by the Cuban Revolution of 1959, which greatly inhibited contact between New York and Cuba. The result was a scene more dominated by Puerto Ricans than Cubans. The New York Latin music of the early 1960s was led by the bands of musicians such as Ray Barretto and Eddie Palmieri, influenced by imported Cuban fads such bas pachanga and charanga; after the Cuban Missile Crisis of 1962, however, Cuban-American contact declined even more precipitously {{ref|early60s}}. A hybrid Nuyorican identity developed, primarily Puerto Rican but influenced by many Latin cultures as well as the close contact with African Americans {{ref|Nuyorican}}.

Related Topics:
Bebop - Rumba - Chachachá - Cuban Revolution - 1959 - Ray Barretto - Eddie Palmieri - Pachanga - Charanga - Cuban Missile Crisis - Nuyorican

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The growth of modern salsa, however, is said to have begun in the streets of New York in the late 1960s. By this time, Latin pop was no longer a major force in American music, having lost ground to doo wop, R&B and rock and roll; there were a few youth fads for Latin dances, such as the soul and mambo fusion boogaloo, but Latin music ceased to be such a major part of American popular music {{ref|rocktakesover}}.

Related Topics:
New York - Doo wop - R&B - Rock and roll - Fad - Soul - Boogaloo

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The Manhattan based recording company, Fania Records, introduced many of the first-generation salsa singers and musicians to the world {{ref|Fania}}. Founded by Dominican flautist and band-leader Johnny Pacheco and impresario Jerry Masucci, Fania's illustrious career began with Willie Colón and Héctor Lavoe's El Malo in 1967 {{ref|elmalo}}. This was followed by a series of updated son montuno and plena tunes that evolved into salsa by 1973.

Related Topics:
Fania Records - Johnny Pacheco - Jerry Masucci - Willie Colón - Héctor Lavoe - El Malo - 1967 - Son montuno - Plena - 1973

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The word salsa

Salsa means sauce in the Spanish language, and has been described as a word with "vivid associations but no absolute definitions, a tag that encompasses a rainbow assortment of Latin rhythms and styles, taking on a different hue wherever you stands in the Spanish-speaking world" {{ref|salsaword}}. The term has been used by Cuban and Puerto Rican immigrants in New York analogously to swing {{ref|swing}}. World music author Sue Steward has claimed that the word was originally used in music as a "cry of appreciation for a particularly piquant or flashy solo", coming to descibe a specific style of music in the mid-1970s "when a group of New York-based Latin music began overhauling the classic big-band arrangements popular since the mambo era of the 1940s and 50s". She cites the first use in this manner to an unnamed Venezuelan radio DJ {{ref|Stewardonorigin}}; Ed Morales, on the other hand, cites it to a New York-based editor and graphic designer named Izzy Sanabria {{ref|Sanabria}}. Morales also mentions the word's prior use to encourage a band to increase the tempo and "put the dancers in high gear", and to "acknowledge a musical moment's het (and) express a kind of cultural nationalist sloganeering, celebrating the 'hotness' or 'spiciness' of Latin American culture" {{ref|earlyuses}}; he also mentions Johny Pacheco, a Dominican performer who released a 1962 album called Salsa Na' Ma, which Morales translates as "it just needs a little salsa, or spice" {{ref|Pachecho}}.

Related Topics:
Sauce - Spanish language - Swing - Izzy Sanabria - Johny Pacheco - Salsa Na' Ma

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1970s

From New York, salsa quickly expanded to Cuba, Puerto Rico, the Dominican Republic, Colombia, Mexico, Venezuela, and other Latin countries. Singers such as Tito Puente and Celia Cruz became household names, not only in North American Latino homes but all over the Caribbean. Later, groups like El Gran Combo and The Apollo All Stars with Roberto Roena among others, followed suit.

Related Topics:
New York - Cuba - Puerto Rico - Dominican Republic - Colombia - Mexico - Venezuela - Tito Puente - Celia Cruz - Latino - Caribbean - El Gran Combo - The Apollo All Stars - Roberto Roena

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The 1970s saw a number of musical innovations among salsa musicians. The Puerto Rican cuatro guitar was introduced by Yomo Toro and the electric piano by Larry Harlow, while vocalists like Cheo Feliciano, Soledad Bravo, and Celia Cruz adapted Brazilian songs to the genre. Ray Barretto, Tipica 73, Conjunto Clasico, Rubén Blades and Eddie Palmieri were other important artists of the era, while Peregoyo y su Combo Vacano brought Colombian influences to salsa and brought the music to their homeland. By the 1980s, Fania Records' long-time leadership of salsa was weakened by the arrival of TH-Rodven and RMM.

Related Topics:
Cuatro guitar - Yomo Toro - Electric piano - Larry Harlow - Cheo Feliciano - Soledad Bravo - Celia Cruz - Brazil - Ray Barretto - Tipica 73 - Conjunto Clasico - Rubén Blades - Eddie Palmieri - Peregoyo y su Combo Vacano - TH-Rodven - RMM

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1980s

The 1980s was a time of diversification, as popular salsa evolved into sweet and smooth salsa romantica, with lyrics dwelling on love and romance, and its more explicit cousin, salsa erotica. José Alberto's 1984 Noches Calientes is considered the beginning of this era, which was soon dominated by Puerto Rican stars. By the late 1980s, salsa had influenced Latin rap and found artists like Sergio George returning the music to its mambo roots and adding a prominent trombone section.

Related Topics:
Salsa romantica - Salsa erotica - José Alberto - 1984 - Noches Calientes - Latin rap - Sergio George - Trombone

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Salsa during the 1980s also expanded to Mexico, Argentina, Peru, Europe and Japan, where (Japan) it was popularized by the famous Orquesta Del Sol. Orquesta del Sol, or Orquestra of the Sun, became famous in many Latin American countries, too. Colombia continued its salsa innovations through the 1980s, and artists like Fruko, Los Nemus del Pacifico and Latin Brothers added cumbia influences, while the 1990s saw Carlos Vives mix vallenato into Colombian salsa. Joe Arroyo (formerly of Fruko) and Sonora Carruseles became major attractions in Colombia during the 1990s, and the city of Cali styled itself "salsa capital of the world".

Related Topics:
1980s - Mexico - Argentina - Peru - Europe - Japan - Orquesta Del Sol - Fruko - Los Nemus del Pacifico - Latin Brothers - Cumbia - 1990s - Carlos Vives - Vallenato - Joe Arroyo - Sonora Carruseles - Cali

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Cuban-born Roberto Torres invented charanga-vallenata in the 80s, making Miami a salsa center. This status helped launch the career of Gloria Estefan, a Cuban who was a mainstream American star, and others who helped invent the Miami Sound, a mixture of rock and pop. Venezuelan salsa has also become popular, especially Oscar D'Leon, while others, like Nelson Pueblo, added native llanera music influences. Cano Estremera became a popular Salsa singer during the late 1980s.

Related Topics:
Roberto Torres - Charanga-vallenata - Miami - Gloria Estefan - Miami Sound - Venezuela - Oscar D'Leon - Nelson Pueblo - Llanera - Cano Estremera

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1990s to the present

Evolving out of salsa from Cuba, timba drew on songo rhythms and was invented by bands like Los Van Van and NG La Banda. By the 1990s, this form of Cuban-born salsa was known as timba and became popular across the world. Another form of Cuban salsa is songo-salsa, with extremely fast rapping.

Related Topics:
Timba - Songo - Los Van Van - NG La Banda - Songo-salsa - Rapping

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Salsa has registered a steady growth and now dominates the airwaves in many countries in Latin America. In addition, several Latino artists, notably Marc Anthony, and most famously, the Cuban-American singer Gloria Estefan, have had success as crossovers, penetrating the Anglo-American pop market with Latin-tinged hits, usually sung in English.

Related Topics:
Latin America - Marc Anthony - Gloria Estefan

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The most recent innovations in the genre include hybrids like mereng-house and salsa-merengue, alongside salsa gorda. Since the mid-1990s, African artists have also been very active through the super-group Africando, where African and New York musicians mix with leading African singers such as Bambino Diabate, Ricardo Lemvo, Ismael Lo and Salif Keita. Salsa is only one of many Latin genres to have traveled back and influenced West African music.

Related Topics:
Mereng-house - Salsa-merengue - Salsa gorda - Africando - Bambino Diabate - Ricardo Lemvo - Ismael Lo - Salif Keita

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