Ry Cooder


 

Ry Cooder (born March 15, 1947) is a guitarist especially well known for his slide guitar work. He was born in Los Angeles, California.

Related Topics:
March 15 - 1947 - Guitar - Slide guitar - Los Angeles, California

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He first attracted attention in the 1960s, playing with Captain Beefheart and the Magic Band, after

Related Topics:
1960s - Captain Beefheart

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previously having worked with Taj Mahal in The Rising Sons, and having played with The Seeds.

Related Topics:
Taj Mahal - The Rising Sons - The Seeds

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Cooder has worked as a studio musician and has also scored many film soundtracks, of which perhaps the best known is that for the 1984 Wim Wenders film Paris, Texas. In recent years, Cooder has played a role in the increased appreciation of traditional Cuban music, due to his collaboration as producer in the Buena Vista Social Club (1997) recording, which was a worldwide hit. Wim Wenders directed a documentary film of the musicians involved, Buena Vista Social Club (1999) which was nominated for an Academy Award in 2000. He worked with Tuvan throat singers for the score to the 1993 film Geronimo: An American Legend.

Related Topics:
1984 - Wim Wenders - Paris, Texas - Cuba - Buena Vista Social Club - 1997 - Buena Vista Social Club - 1999 - Academy Award - 2000 - Tuva - Throat singers - 1993

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Cooder's solo work has been an eclectic mix, taking in dustbowl folk, Tex-Mex, soul, gospel, rock and almost everything else. He has collaborated with many important musicians, including the Rolling Stones, Little Feat, the Chieftains, John Lee Hooker, Gabby Pahinui, and Ali Farka Toure. He formed the Little Village supergroup with Nick Lowe, John Hiatt and Jim Keltner.

Related Topics:
Folk - Tex-Mex - Soul - Gospel - Rock - Rolling Stones - Little Feat - The Chieftains - John Lee Hooker - Gabby Pahinui - Ali Farka Toure - Little Village - Nick Lowe - John Hiatt - Jim Keltner

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Cooder's 1978 album Bop Till You Drop was the first popular music album to be recorded digitally.

Related Topics:
1978 - Bop Till You Drop - Recorded digitally

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Cooder is mentioned in one of The Tragically Hip's songs entitled "At the 100th Meridian".

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In recent years, Rolling Stone magazine named Ry Cooder the 8th Greatest Guitarist of All Time in their "100 Greatest Guitarists" list. Immediately behind Cooder in the list were Led Zeppelin's Jimmy Page and The Rolling Stones' Keith Richards. In the 60's, Cooder notably taught Keith Richards how to play in the "Open-G" tuning; Richards having used the tuning ever since, including on many of the Stones' greatest songs.

Related Topics:
Rolling Stone - Led Zeppelin - Jimmy Page - The Rolling Stones - Keith Richards

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~ Table of Content ~

Introduction
Discography

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Latest news on ry cooder

NY Times: The Los Angeles of Ry Cooder and Mister Jalopy

Over on Dinosaurs and Robots, Mister Jalopy says: A few months ago, Ry Cooder and I went out to the dry lakes with the Old Crow Speed Shop, the Bobby Green Bellytanker and the New York Times. The article (by Lawrence Downes, and photos by Eric Grigorian) is out tomorrow and it is wonderful. There is the Los Angeles that people imagine of red carpet premieres, Botox lunches, velvet rope nightclubs, Venice bodybuilders and tony boutiques. It is not a fable. That is real. Or, at least, it physically exists. Then, there is the Los Angeles that I know. Aerospace surplus hardware stores, smoky and ashtray-less Koreatown English hunt club bars in crumbling hotel basements, perfect beer buzz lunches at the Farmer's Market in filtered sunlight, the wild dogs of Pacoima, sprawling thrift stores, trolling junkyards for old diaries and Polaroids, the drag races at Pomona, chrome plating shops, backyards stacked with 300 bicycles, gold miners eager to show their biggest nuggets, fishing for carp in the Los Angeles River, optimists taking over art museums, the nicad battery selection at Electronic City, the metal patination case at Industrial Metal Supply, Kit Kraft Hobby, the gem vault at the Natural History Museum, the szechuan peppercorns of Alhambra, the churlish bartenders at Hop Louie, the sneaker shops of Little Tokyo, the imported coldcuts at Monte Carlo Deli, the Japanese garden on the roof of the New Otani Hotel, the bicycle swap at the Encino Velodrome, the DDR kids at the Santa Monica Pier, the mustard at Philipes, the dimsum carts of Monterey Park, the carnitas at Carrillos, the buffalo at Hart Park, the Kris Special at the Waystation, the netsuke room at LACMA, the Remington Rolling Block at the Backwoods Inn, the coffee shop at the LA Police Academy, the abandoned restaurant with leather walls at Union Station, the yardage of the Garment District, the abandoned fire station in the Toy District with the quartersawn oak lockers viewable through the crack in the door, the first two rows of lowrider history at the Pomona Auto Swap, Abe Lincoln's hat at the Huntington Library, the camillia forest of Descanso Garden, the bolt room of Roscoe Hardware that is hidden in a kitchen remodeling home center, the genius at the Museum of Jurassic Technology, the chile pepper booth at the Grand Central Market, sneaking to the top balcony of the Bradbury Building, the threadbare and dented Variety Arts Center, the orange groves of the 126 and secret utility salvage yard in the northeast San Fernando Valley. Ry and I share this Los Angeles and it was fun to show it to Lawrence. He did us proud. Los Angeles tries to throw itself away everyday but we are still gold prospectors, hot rodders and guitarists. Our fundamental awesomeness will not be impinged. I agree; what Mister Jalopy write above comes closer than anyone to nailing why I love Los Angeles. Ry Cooder?s American West...