Richard Leacock

Richard Leacock (born July 18, 1921, London) is a documentary film director and one of the pioneers of Direct Cinema.

Related Topics:
July 18 - 1921 - London - Documentary film - Direct Cinema

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He grew up on a banana plantation in the Canary Islands until shipped off to School in England. He attended Bedales, then Dartington Hall Schools from 1929 to 1938, where he helped form a student film unit, and made his first film, Canary Bananas, an eight-minute silent film.

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To learn more about the technical basis of filmmaking, he studied physics at Harvard University. During the war he was a photographer for the U.S. army. In 1946 Robert Flaherty hired him as cameraman for Louisiana Story. In the early 1960s Leacock, Robert Drew, D.A. Pennebaker and others founded Drew Associates. Pennebaker had also a technical background and Drew worked as producer. Together they developed a new style of filmmaking based on synchronous sound and the use of lightweight cameras.

Related Topics:
Harvard University - Robert Flaherty - Louisiana Story - 1960s - D.A. Pennebaker

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Leacock left Drew Associates in 1963 to found his own production firm, together with Pennebaker. In 1969 he became head of the film department at MIT, which he chaired until 1988. In the 1980s he was still interested in the technical aspects of filmmaking and produced videos for French television.

Related Topics:
1969 - MIT - 1980s

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In its most naive formulation, direct cinema was an attempt to film "life as it is." But Leacock is not a naive filmmaker. In 1988 he concluded an interview with the following remarks:

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"I have been starting to think about documentary filmmaking instead of just doing it, and I think that for a long time I have been teaching things that I don't really believe in. My thinking has changed a lot. I'm not sure how to teach documentary filmmaking, I'm even not sure what documentaries are. I think that for me I'm beginning to pay more attention to what I want and less attention to what people want me to do. In many respects I begin to think that most of my live I have filmed the wrong things and more and more I am beginning to regret it."

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