Ragtime
:This is an article about Ragtime music. For other uses of the word "Ragtime" see: Ragtime (disambiguation).
Ragtime revivals
In the early 1940s many jazz bands began to include ragtime in their repertoire and put out ragtime recordings on 78 RPM records. Old numbers written for piano were rescored for jazz instruments by jazz musicians, which gave the old style a new sound. The most famous recording of this period is Pee Wee Hunt's version of Euday L. Bowman's Twelfth Street Rag.
Related Topics:
1940s - Jazz - 78 RPM records - Pee Wee Hunt - Euday L. Bowman
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A more significant revival occurred in the 1950s. A wider variety of ragtime styles of the past were made available on records, and new rags were composed, published, and recorded. Much of the ragtime recorded in this period is presented in a light-hearted novelty style, looked to with nostalgia as the product of a supposedly more innocent time. A number of popular recordings featured "prepared pianos," playing rags on pianos with tacks on the keys and the instrument deliberately somewhat out of tune, supposedly to simulate the sound of a piano in an old honky tonk.
Related Topics:
1950s - Honky tonk
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Three events brought forward a different kind of ragtime revival in the 1970s. First, pianist Joshua Rifkin brought out a compilation of Scott Joplin's work on Nonesuch records, winning a Grammy in the classical music category. This reintroduced Joplin's music to the public in the manner the composer had intended, not as a nostalgic stereotype but as serious, respectable music. Second, the New York Public Library released a two-volume set of "The Collected Works of Scott Joplin," which renewed interest in Joplin among musicians and prompted new stagings of Joplin's opera Treemonisha. Finally, with the release of the motion picture The Sting in 1974, which had a Marvin Hamlisch soundtrack of Joplin tunes, ragtime was brought to a wide audience. Hamlisch's rendering of Joplin's 1902 rag The Entertainer was a top 40 hit in 1974.
Related Topics:
1970s - Joshua Rifkin - New York Public Library - Treemonisha - The Sting - Marvin Hamlisch
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~ Table of Content ~
| ► | Introduction |
| ► | Historical context |
| ► | Styles of Ragtime |
| ► | Ragtime revivals |
| ► | Ragtime composers |
| ► | Samples |
| ► | See also |
| ► | Sources |
| ► | Further reading |
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