Psychedelic music

Psychedelic music is a musical genre which is not rigorously defined, and is sometimes interpreted to include everything from Flower Power music to Hard Rock and Acid Rock.

History

The first use of the term "psychedelic" in popular music was by the "acid-folk" group The Holy Modal Rounders in 1964. The first use of the word "psychedelic" in a rock music context is usually credited to the 13th Floor Elevators, and the earliest known appearance of this usage of the word in print is in the title of their 1966 album The Psychedelic Sounds of the 13th Floor Elevators, although the psychedelic sound itself had been around at least since the release of The Byrds' hit "8 Miles High" earlier that year. The genre reached its maximum popularity in 1967 and then quickly tapered off, though a number of bands continued to produce it for several years, and there has been a revival since the 1980s.

Related Topics:
The Holy Modal Rounders - 13th Floor Elevators - The Psychedelic Sounds of the 13th Floor Elevators - The Byrds

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In the 1960s

In the United States, psychedelic music was particularly characteristic of the West Coast sound, with bands such as the Beach Boys, Grateful Dead, Country Joe and The Fish, Spirit, SRC, Quicksilver Messenger Service, the United States of America, Big Brother and the Holding Company, Love and Jefferson Airplane in the vanguard. Jimi Hendrix, the Doors,Blue Cheer, SRC, and The Amboy Dukes helped to popularize acid rock, a closely related style of music.

Related Topics:
United States - The Beach Boys - Grateful Dead - Country Joe and The Fish - Spirit - SRC - Quicksilver Messenger Service - The United States of America - Big Brother and the Holding Company - Love - Jefferson Airplane - Jimi Hendrix - The Doors - Blue Cheer - The Amboy Dukes - Acid rock

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Initially, the Beach Boys, with their squeaky-clean image, seemed unlikely as psychedelic types. Their music, however, grew more psychedelic and experimental, perhaps due in part to writer/producer/arranger Brian Wilson's increased drug usage and burgeoning mental illness. Albums like Pet Sounds and Wilson's magnum-opus SMiLE (which was never finished, and was remade by Wilson with a new band in 2004) show this growing experimentation.

Related Topics:
Brian Wilson - Pet Sounds - SMiLE - 2004

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There were also less well known psychedelic bands in outlying regions, such as the 13th Floor Elevators and Bubble Puppy working out of Texas, and the Third Bardo in New York City, a group which had a brief revival in the 1990s. The Byrds also contributed to psychedelia with "Eight Miles High," a song with odd vocal harmonies and an extended guitar solo that guitarist Roger McGuinn states was inspired by Raga and John Coltrane. The influence was also felt in black music, where record labels such as Motown dabbled for a while with psychedelic soul, producing such hits as "Ball of Confusion (That's What the World is Today)" and "Psychedelic Shack" (by The Temptations), and "Reflections" (by Diana Ross & the Supremes), and the 11-minute-long "Time Has Come Today" by The Chambers Brothers, before falling out of favour.

Related Topics:
13th Floor Elevators - Bubble Puppy - Third Bardo - The Byrds - Roger McGuinn - Raga - John Coltrane - Motown - Psychedelic soul - Ball of Confusion (That's What the World is Today) - Psychedelic Shack - The Temptations - Reflections - Diana Ross & the Supremes - The Chambers Brothers

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In Britain, the impact of the psychedelic revolution was profound within the British music scene. Established artists such as Eric Burdon (previously of The Animals), The Beatles, The Rolling Stones, and The Who produced a number of psychedelic albums and singles, including The Beatles' Sgt. Pepper's Lonely Hearts Club Band ("Lucy in the Sky with Diamonds"), The Rolling Stones' Their Satanic Majesties Request ("In Another Land"), and The Who's Sell Out ("I Can See for Miles"). The music of the UK Kaleidoscope and early Pink Floyd and Soft Machine is also representative of British psychedelia.

Related Topics:
Britain - Psychedelic revolution - Eric Burdon - The Animals - The Beatles - The Rolling Stones - The Who - Sgt. Pepper's Lonely Hearts Club Band - Lucy in the Sky with Diamonds - Their Satanic Majesties Request - Sell Out - Pink Floyd - Soft Machine

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A good number of the bands who pioneered psychedelic rock gave it up by the end of the 1960s. The increasingly hostile political environment and the embrace of amphetamines, heroin and cocaine by the underground led to a turn toward harsher music. At the same time, Bob Dylan released John Wesley Harding and the Band released Music from Big Pink, both albums that rejected psychedelia for a more roots-oriented approach. Many bands in England and America followed suit. Eric Clapton cites Music from Big Pink as a primary reason for quitting Cream, for example.

Related Topics:
Amphetamine - Heroin - Cocaine - Bob Dylan - The Band - Roots - Eric Clapton - Music from Big Pink - Cream

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The musicians and bands who continued to embrace psychedelia often went on to create progressive rock in the 1970s, which maintained the love of unusual sounds and extended solos but added jazz and classical influences to the mix. For example, progressive rock group Yes sprang out of three British psychedelic bands: Syn (featuring Chris Squire), Tomorrow (featuring Steve Howe) and Mabel Greer's Toy Shop (Jon Anderson). Also, psychedelic rock strongly influenced early heavy metal bands, Black Sabbath probably being the best example. Psychedelic rock, with its distorted guitar sound and adventurous compositions can be seen as an important bridge between heavy metal and earlier blues oriented rock.

Related Topics:
Progressive rock - Yes - Chris Squire - Steve Howe - Jon Anderson - Heavy metal - Black Sabbath

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Alongside the progressive stream, space rock bands such as Hawkwind, Arthur Brown's Kindom Come and Gong maintained a more explicitly psychedelic course into the 1970s.

Related Topics:
Space rock - Hawkwind - Arthur Brown - Gong

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More recent bands

Phish, active from the early 1980s, played psychedelic music with a strong jazz influence and a great deal of technical skill, utilizing elaborate modal melodies and complex rhythmic accompaniment. In the mid 1980s a Los Angeles-based movement named the Paisley Underground acknowledged a debt to the Byrds, incorporating psychedelia into a folky, jangle pop sound. The Bangles were the most successful band to emerge from this movement; amongst others involved were Green on Red, the Three O'Clock and Dream Syndicate. Loxley Beade from Darmstadt/Germany created a very own mixture of Psychedelic, Folk-Rock and oriental influences by using exotic instruments.

Related Topics:
Phish - 1980s - Jazz - Los Angeles - Paisley Underground - Jangle pop - The Bangles - Green on Red - Three O'Clock - Dream Syndicate

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A British counterpoint to the Paisley Underground was a number of post New Wave bands, most notably The Soft Boys and the solo albums of their singer Robyn Hitchcock, and The Teardrop Explodes and their vocalist Julian Cope. Hitchcock was heavily influenced by Syd Barrett and John Lennon, which accounts for part of the sound, though his famous flow-of-consciousness inter-song links in concerts is also responsible. In the mid 1980s, The Shamen began with a self-consciously psychedelic curriculum influenced by Barrett and Love, before re-orienting themselves towards rave. Other British dabblers in psychedelia include XTC and Martin Newell with The Cleaners from Venus and The Brotherhood of Lizards.

Related Topics:
New Wave - The Soft Boys - Robyn Hitchcock - The Teardrop Explodes - Julian Cope - Syd Barrett - John Lennon - The Shamen - Rave - XTC - Martin Newell - The Cleaners from Venus - The Brotherhood of Lizards

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Alternative rock groups also dabbled in psychedelia, most famously, Nirvana on their debut single, 'Love Buzz'.

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Recently the group Kula Shaker, under the leadership Crispian Mills, created much Indian-influenced psychedelic music such as their most recent album 'Peasants, pigs and Astronauts'. A number of bands such as Ozric Tentacles and the Welsh Gorky's Zygotic Mynci continue to play psychedelic music, in a tradition that goes back to the sixties via acts such as Steve Hillage, Gong and their assorted side projects.

Related Topics:
Kula Shaker - Ozric Tentacles - Gorky's Zygotic Mynci - Steve Hillage - Gong

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British bands Anomie and My Bloody Valentine are standard-bearers for British garage psychedelia, citing Pink Floyd and Hawkwind as their musical influences. Some electronic or electronic-influenced music now termed "ambient" or "trance" would have fallen within the category of psychedelia in the 1966 to 1990 period, such as Aphex Twin or Orbital. Stoner rock acts like Kyuss and their successors also carry forward the flag of explicitly psychedelic music into the present day. The Smashing Pumpkins fused psychedelic rock sounds with heavy metal, becoming a highly successful alternative rock act in the 1990s.

Related Topics:
Anomie - My Bloody Valentine - Pink Floyd - Hawkwind - Electronic - Ambient - Trance - Aphex Twin - Orbital - Stoner rock - Kyuss - Psychedelic - The Smashing Pumpkins - Heavy metal - Alternative rock - 1990s

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Rising from the Japanese noise underground, Acid Mothers Temple mix the subtle, relaxing resonance of Blue Cheer and most obviously Grateful Dead's psychedelic sound, the thought provoking melodies of French folk, and concrete bursts of noise that run through music of Boredoms.

Related Topics:
Noise - Acid Mothers Temple - Blue Cheer - Grateful Dead - Folk - Boredoms

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Other recent endevours include Neutral Milk Hotel, The Apples (In Stereo), and Olivia Tremor Control: all members of the now defunct Elephant 6 musical collective, formally headquartered in Athens, Georgia.

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