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Postmodernism


 

Postmodernism is a term applied to a wide-ranging set of developments in critical theory, philosophy, architecture, art, literature, and culture, which are generally characterized as either emerging from, in reaction to, or superseding, modernism.

Postmodernism's manifestations

Postmodernism in language

Important to postmodernism's role in language is the focus on the implied meaning of words and forms the power structures that are accepted as part of the way words are used, from the use of the word "Man" with a capital "M" to refer to the collective humanity, to the default of the word "he" in English as a pronoun for a person of gender unknown to the speaker, or as a casual replacement for the word "one". This, however, is merely the most obvious example of the changing relationship between diction and discourse which postmodernism presents.

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An important concept in postmodernism's view of language is the idea of "play". In the context of postmodernism, play means changing the framework which connects ideas, and thus allows the troping, or turning, of a metaphor or word from one context to another, or from one frame of reference to another. Since, in postmodern thought, the "text" is a series of "markings" whose meaning is imputed by the reader, and not by the author, this play is the means by which the reader constructs or interprets the text, and the means by which the author gains a presence in the reader's mind. Play then involves invoking words in a manner which undermines their authority, by mocking their assumptions or style, or by layers of misdirection as to the intention of the author.

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Another key concept is the view that people are, essentially, blank slated linguistically, and that social acclimation, cultural factors, habituation and images are the primary ways of shaping the structure of how people view the outside world. For this reason Postmodernism in language is associated with post-structuralism and associated theories of nurture-driven intellectual development.

Related Topics:
Post-structuralism - Nurture-driven

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This view of writing is not without harsh detractors, who regard it as needlessly difficult and obscure, and a violation of the implicit contract of lucidity between author and reader: that an author has something to communicate, and shall choose words which transmit the idea as transparently as possible to the reader. Thus postmodernism in language has often been identified with poor writing and communication skills. The term pomobabble came to be within pop culture to illustrate this trend.

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Postmodern philosophers are often regarded as difficult to read, and the critical theory that has sprung up in the wake of postmodernism has often been ridiculed for its stilted syntax and attempts to combine polemical tone and a vast array of new coinages. However, similar charges could be levelled at the works of previous eras, such as the works of Immanuel Kant, as well as at the entire tradition of Greek thought in antiquity.

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Postmodernism in art

Main article: Postmodern art

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Where modernists hoped to unearth universals or the fundamentals of art, postmodernism aims to unseat them, to embrace diversity and contradiction. A postmodern approach to art thus rejects the distinction between low and high art forms. It rejects rigid genre boundaries and favors eclecticism, the mixing of ideas and forms. Partly due to this rejection, it promotes parody, irony, and playfulness, commonly referred to as jouissance by postmodern theorists. Unlike modern art, postmodern art does not approach this fragmentation as somehow faulty or undesirable, but rather celebrates it. As the gravity of the search for underlying truth is relieved, it is replaced with 'play'. As postmodern icon David Byrne, and his band Talking Heads said: "Stop making sense."

Related Topics:
Parody - Irony - Jouissance

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Post-modernity, in attacking the perceived elitist approach of Modernism, sought greater connection with broader audiences. This is often labelled "accessibility" and is a central point of dispute in the question of the value of postmodern art. It has also embraced the mixing of words with art, collage and other movements in modernity, in an attempt to create more multiplicity of medium and message. Much of this centers on a shift of basic subject matter: postmodern artists regard the mass media as a fundamental subject for art, and use forms, tropes, and materials - such as banks of video monitors, found art, and depictions of media objects - as focal points for their art. With his "invention" of "readymade", Marcel Duchamp is often seen as a forerunner on postmodern art. Where Andy Warhol furthered the concept with his appropriation of common popular symbols and "ready-made" cultural artifacts, bringing the previously mundane or trivial onto the previously hallowed ground of high art.

Related Topics:
Marcel Duchamp - Andy Warhol

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Postmodernism's critical stance is interlinked with presenting new appraisals of previous works. As implied above the works of the "Dada" movement received greater attention, as did collagists such as Robert Rauschenberg, whose works were initially considered unimportant in the context of the modernism of the 1950s, but who, by the 1980s, began to be seen as seminal. Post-modernism also elevated the importance of cinema in artistic discussions, placing it on a peer level with the other fine arts. This is both because of the blurring of distinctions between "high" and "low" forms, and because of the recognition that cinema represented the creation of simulacra which was later duplicated in the other arts.

Related Topics:
Robert Rauschenberg - 1950s - 1980s - Cinema

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See also, Contemporary art.

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Postmodernism in architecture

Main Article Postmodern architecture

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As with many cultural movements, one of postmodernism's most pronounced and visible ideas can be seen in architecture. The functional, and formalized, shapes and spaces of the modernist movement are replaced by unapologetically diverse aesthetics; styles collide, form is adopted for its own sake, and new ways of viewing familiar styles and space abound.

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Architects generally considered postmodern include: Peter Eisenman, Philip Johnson (later works), John Burgee, Robert Venturi, Ricardo Bofill, James Stirling, Charles Willard Moore, and Frank Gehry.

Related Topics:
Peter Eisenman - Philip Johnson - John Burgee - Robert Venturi - Ricardo Bofill - James Stirling - Charles Willard Moore - Frank Gehry

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Postmodernism in literature

Main article Postmodern literature

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Postmodern literature argues for expansion, the return of reference, the celebration of fragmentation rather than the fear of it, and the role of reference itself in literature. While drawing on the experimental tendencies of authors such as James Joyce and Virginia Woolf in English, and Borges in Spanish, who were taken as influences by American postmodern works by authors such as Thomas Pynchon, John Barth, Don Delillo, David Foster Wallace and Paul Auster, the advocates of postmodern literature argue that the present is fundamentally different from the modern period, and therefore requires a new literary sensibility.

Related Topics:
James Joyce - Virginia Woolf - Borges - Thomas Pynchon - John Barth - Don Delillo - David Foster Wallace - Paul Auster

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Postmodernism in music

Main article: Postmodern music

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Postmodern music is both a musical style and a musical condition. As a musical style, postmodern music contains characteristics of postmodern art?that is, art after modernism (see Modernism in Music). It favors eclecticism in musical form and musical genre, and often combines characteristics from different genres, or employs jump-cut sectionalization (such as blocks). It tends to be self-referential and ironic, and it blurs the boundaries between "high art" and kitsch. Daniel Albright (2004) summarizes the traits of the postmodern style as bricolage, polystylism, and randomness.

Related Topics:
Postmodern art - Modernism - Modernism in Music - Eclecticism - Musical form - Musical genre - Section - Blocks - Self-referential - Ironic - "high art" - Kitsch - Daniel Albright - Bricolage - Polystylism - Randomness

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As a musical condition, postmodern music is simply the state of music in postmodernity, music after modernity. In this sense, postmodern music does not have any one particular style or characteristic, and is not necessarily postmodern in style or technique. The music of modernity, however, was viewed primarily as a means of expression while the music of postmodernity is valued more as a spectacle, a good for mass consumption, and an indicator of group identity. For example, one significant role of music in postmodern society is to act as a badge by which people can signify their identity as a member of a particular subculture.

Related Topics:
Postmodernity - Modernity - Subculture

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