Our Gang

:"The Little Rascals" redirects here. For other uses of the title "The Little Rascals", see The Little Rascals (disambiguation).

About the series

Unlike many other motion pictures featuring children that are based in fantasy, producer/creator Hal Roach rooted Our Gang in real life: the majority of the kids were poor, and the gang was often put at odds with snobbish rich kids, officious adults and parents, and other such adversaries. The series was notable in that the gang included both African-Americans and females in leading parts at a time when discrimination against both groups was commonplace.

Related Topics:
Fantasy - African-Americans - Discrimination

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Directorial approach

Senior director Robert F. McGowan helmed most of the Our Gang shorts until 1933, assisted by his nephew Anthony Mack. He worked hard to develop a style that allowed the kids to be as natural as possible, downplaying the importance of the filmmaking equipment. Scripts were written for the shorts by the Hal Roach comedy writing staff, which included at various times Leo McCarey, Frank Capra, Walter Lantz, and Frank Tashlin, among others. The kids, some of them too young to read, very rarely saw the scripts; instead McGowan would explain the scene to be filmed to each kid right before it was shot, directing the children using a megaphone and encouraging improvisation. Of course, when sound came in at the end of the decade, McGowan was forced to modify his approach slightly, but scripts were not adhered to until McGowan left the series. Later Our Gang directors such as Gus Meins and Gordon Douglas used a more streamlined approach to McGowan's methods, in order to meet the demands of the increasingly sophisticated movie industry of the mid to late 1930s. Douglas in particular was forced to streamline his films, as he directed Our Gang after Roach was forced to halve the running times of the shorts from two reels (20 minutes) to one reel (10 minutes).

Related Topics:
Director - Robert F. McGowan - 1933 - Anthony Mack - Scripts - Leo McCarey - Frank Capra - Walter Lantz - Frank Tashlin - Megaphone - Improvisation - Gus Meins - Gordon Douglas

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Finding kid talent

As the children grew too old to be in the series, they were replaced by new kids, usually from the Los Angeles area. Eventually, Our Gang talent scouting was done using large-scale national contests, where thousands of kids (often at the behest of their parents) tried out for one open role. Norman "Chubby" Chaney (who replaced Joe Cobb), Matthew "Stymie" Beard (who replaced Allen "Farina" Hoskins), and Billie "Buckwheat" Thomas (who replaced Stymie) all won major contests to become members of the gang. Even when there wasn't a massive talent search going on, the Roach studio was bombarded by requests from parents who were certain their children were perfect for the series. Two of these children included future child stars Mickey Rooney and Shirley Temple, neither of whom made it into the gang.

Related Topics:
Los Angeles - Norman "Chubby" Chaney - Joe Cobb - Matthew "Stymie" Beard - Allen "Farina" Hoskins - Billie "Buckwheat" Thomas - Mickey Rooney - Shirley Temple

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African Americans in Our Gang

The Our Gang series is notable for being one of the first times in movie history that African-Americans and Caucasians were portrayed as equals, though a number of people, including members of the African-American community, do not look favorably upon the characters of the black children today {{ref|DanRatherAllegedRacism}}. The four black child actors who held main-character roles in the series were Ernie "Sunshine Sammy" Morrison, Allen "Farina" Hoskins, Matthew "Stymie" Beard (whose trademark oversized derby hat was a gift from fellow comedian Stan Laurel), and Billie "Buckwheat" Thomas. Ernie Morrison was, in fact, the first black actor signed to a long-term contract in Hollywood history {{ref|Sammycontract}}, and was the first major black star in Hollywood history as well {{ref|BogleOnErnieMorrison}}.

Related Topics:
Caucasians - Ernie "Sunshine Sammy" Morrison - Comedian - Stan Laurel - Billie "Buckwheat" Thomas - Hollywood

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The Black children in Our Gang often epitomized the early Hollywood black stereotype of a "Negro", as well as that of the pickaninny {{ref|Picaninny}}. These characters provided comic relief by speaking a mangled form of English, and by frequently being so frightened that either their hair stood on end, or they turned white with fear (a special effect created with negative film exposure techniques). The Black children's fathers were perpetually mentioned as being in and out of jail, and the children themselves habitually ate watermelon and fried chicken in the shorts. Comedian Eddie Murphy controversially parodied Buckwheat and the stereotypical aspects of his character in a series of skits for Saturday Night Live.

Related Topics:
Hollywood - Stereotype - Negro - Pickaninny - Comic relief - English - Special effect - Watermelon - Fried chicken - Comedian - Eddie Murphy - Saturday Night Live

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In their adult years, Ernie Morrison, Matthew Beard, and Billie Thomas became some of Our Gang's staunchest defenders, maintaining that its integrated cast and innocent story lines were far from racist. They explained that the white children's characters in the series were similarly stereotyped: the "freckled kid," the "fat kid," the "pretty blond girl," and the "mischievous toddler." "We were just a group of kids who were having fun," Stymie Beard recalled {{ref|Stymiefun}}, while Ernie Morrison that "when it came to race, was color-blind" {{ref|Sammycolorblind}}. Other minorities, including Asian Americans (Sing Joy, Allen Tong, and Edward Zoo Hoo) and Italian Americans (Mickey Gubitosi), were also depicted in the series, with varying levels of stereotyping.

Related Topics:
Racist - Stereotyped - Asian Americans - Italian Americans - Mickey Gubitosi

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