Modern architecture

Modern architecture is a broad term given to a number of building styles with similar characteristics, primarily the simplification of form and the elimination of ornament, that first arose around 1900. By the 1940s these styles had been consolidated and identified as the International Style and became the dominant way of building for several decades in the twentieth century.

Modernism as dominant style

By the 1920s the most important figures in modern architecture had established their reputations. The big three are commonly recognized as Le Corbusier in France, and Ludwig Mies van der Rohe and Walter Gropius in Germany. Mies van der Rohe and Gropius were both directors of the Bauhaus, one of a number of European schools and associations concerned with reconciling craft tradition and industrial technology.

Related Topics:
1920s - Le Corbusier - Mies van der Rohe - Walter Gropius - Bauhaus

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Frank Lloyd Wright's career parallels and influences the work of the European modernists, particularly via the Wasmuth Portfolio, but he refused to be categorized with them.

Related Topics:
Frank Lloyd Wright - Wasmuth Portfolio

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In 1932 came the important MOMA exhibition, the International Exhibition of Modern Architecture, curated by Philip Johnson. Johnson and collaborator Henry-Russell Hitchcock drew together many distinct threads and trends, identified them as stylistically similar and having a common purpose, and consolidated them into the International Style.

Related Topics:
1932 - MOMA - Philip Johnson - Henry-Russell Hitchcock - International Style

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This was an important turning point. With World War II the important figures of the Bauhaus fled to the United States, to Chicago, to the Harvard Graduate School of Design, and to Black Mountain College. Modernism became the pre-eminent, and then (for leaders of the profession) the only acceptable, design solution from about 1932 to about 1984.

Related Topics:
World War II - Bauhaus - Harvard Graduate School of Design - Black Mountain College

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Architects who worked in the international style wanted to break with architectural tradition and design simple, unornamented buildings. The most commonly used materials are glass for the facade, steel for exterior support, and concrete for the floors and interior supports; floor plans were functional and logical. The style became most evident in the design of skyscrapers. Perhaps its most famous/notorious manifestations include the United Nations headquarters, the Seagram Building, and Lever House by Skidmore, Owings, and Merrill, all in New York.

Related Topics:
United Nations - Seagram Building - Lever House - Skidmore, Owings, and Merrill

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Detractors of the international style claim that its stark, uncompromisingly rectangular geometry is dehumanising. Le Corbusier once described buildings as "machines for living", but people are not machines and do not want to live in machines. Even Philip Johnson admitted he was "bored with the box." Since the early 1980s many architects have deliberately sought to move away from strictly geometrical designs.

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Although there is much discussion as to when the fall of the modern movement occurred, criticism of Modern architecture began in the 1960s on the grounds that it was universal, sterile, elitist and lacked meaning. The rise of postmodernism is attributed to the general disenchantment with Modern architecture.

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