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Microtonal music


 

Microtonal music is music using microtones -- intervals of less than a semitone, or as Charles Ives put it, the "notes between the cracks" of the piano. The term is also used to refer to any music whose tuning is not based on semitones, such as western just intonation, Indonesian gamelan music and Indian classical music. An alternative term explicitly covering such possibilities is xenharmonic music.

Related Topics:
Music - Intervals - Semitone - Charles Ives - Tuning - Just intonation - Gamelan music - Indian classical music - Xenharmonic music

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The Italian Renaissance composer and theorist Nicola Vicentino (1511-1576) experimented with microintervals and built for example a keyboard with 36 keys to the octave, known as the arcicembalo. However Vicentino's experiments were primarily motivated by his research (as he saw it) on the ancient Greek genera, and by his desire to have acoustically pure intervals available within chromatic compositions.

Related Topics:
Renaissance - Nicola Vicentino - 1511 - 1576 - Arcicembalo - Genera

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Some Western composers have embraced the use of microtonal scales, dividing an octave into 19, 24, 31, 43, 72 and other numbers of pitches, rather than the more common 12. The intervals between pitches can be equal, creating an equal temperament, or unequal, such as in just intonation or linear temperament.

Related Topics:
Scales - Octave - Pitch - Equal temperament - Just intonation - Linear temperament

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Pioneers of modern Western microtonal music include:

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