Michael Andrews (musician)

Michael Andrews is a San Diego musician and film score composer. He is best known for a cover version of the Tears for Fears song "Mad World", which he recorded with Gary Jules for the Donnie Darko soundtrack, and which became a number one single in the UK in Christmas 2003.

Soundtrack production

Michael Andrews fell into film score composition by chance when the band he was playing with?cult soul/jazz collective The Greyboy Allstars?was asked to score Jake Kasdan?s first featureZero Effect and worked on the music for the highly regarded, though short-lived TV show,Freaks and Geeks. Donnie Darko director Richard Kelly commissioned him to do the soundtrack for the film.

Related Topics:
Jake Kasdan?s - Zero Effect - Freaks and Geeks - Donnie Darko - Richard Kelly

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Kelly relates on the Everloving Records web site that he was confident that Michael Andrews could do the job: "I met with Michael and I just knew right away that he was really, really talented and that he could come up with a really original score. He would allow me to be in there and be really kind of editorial with how I wanted the score to be."

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Andrews considers himself primarily a guitar player, but Kelly told him he didn?t want any guitar in the movie. So, he taught himself to play piano. It?s part of the reason that the score is, as Andrews describes, so simple. "The film was pretty low budget so my portion of the money was pretty thin. I couldn't hire anyone, it was just me. I played everything; piano, mellotron, mini marimba, xylophone, ukelele, organ. I also brought in two female vocalists Sam Shelton and Tory Haberman." ?In a way,? he says, ?your faults become your trademark.? Darko?s original score album went on to sell over 100,000 copies (in part because of Andrews? remake of Tears for Fears? Mad World, featuring Gary Jules), and Andrews became a composer to watch.

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Like many of his role models for soundtrack composing such as John Barry and Ennio Morricone, Andrews wanted to put a song on his otherwise instrumental score. He chose the song "Mad World" by Tears for Fears (originally released in 1982) and got his old friend Gary Jules in to sing it while he played piano.

Related Topics:
John Barry - Ennio Morricone - 1982

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The music was not available on a soundtrack album until Andy Factor, a friend of Andrews, released it on his Everloving Records independent label in 2002. As Donnie Darko was not a hit at first, there was little interest in the soundtrack in the US. However, the film enjoyed more popularity in Europe especially in the UK where its total box office was greater than for the whole of the US.

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This sparked interest in the soundtrack and the song "Mad World", taken from the original soundtrack, was a 2003 Christmas Number One in the UK singles charts. It has also made the charts in a number of other countries including Ireland, Denmark, the Netherlands and Australia in 2003 and 2004.

Related Topics:
Ireland - Denmark - The Netherlands - Australia

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In 2005 Me and You and Everyone We Know a film by Miranda July won at Sundance and Cannes.

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Andrews' score to the film is again released on Everloving Records on July 12th according to their website.

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Initially taking cues from the characters? dialog, Andrews began writing the score. For example, when Richard, played in the film by John Hawkes, says he?s ?prepared for amazing things to happen? and that he wants his kids ?to have magical powers,? Andrews came to understand the film?s world as a kind of alternate reality where people believe in fate and chance?and this was the world he needed to paint with his music. He also saw the feelings July was trying to get across in her film as very primary. ?She tries to break things down to very basic, simple shapes?the simplest shapes possible, and that totally influenced me in my music.?

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Working out of his custom-built backyard studio in Glendale, CA, Andrews spent three months creating the score using an orchestra of obscure vintage synthesizers (a miniature hotwired Casio keyboard was unearthed at a garage sale for $10) and drum machines. His concept was to play what he termed amateurish, emotional, naïve, magical and simple music on highly unemotional, inorganic instruments?for example, a calculator with built-in twelve-note keyboard that lends a haunting portamento melody to one of the film?s motifs.

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Other instruments used in the score include Andrews? modified piano (rather than hitting the strings directly, the hammers first make contact with a piece of soft felt, creating a warmer, slightly muffled tone), as well as his Moog and Vocoder synthesizers. Despite all the electronic gear, no MIDI was used in the recording, so that all the humanness, all the subtle variations of rhythm, are intact. Inara George adds vocals in several climactic moments throughout the film. In some cases, cues were composed of only two or three tracks in order to attain the magical simplicity for which the film called out.

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He has gone on to produce scores for the movies Orange County, Cypher and Out Cold.

Related Topics:
Orange County - Cypher - Out Cold

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