Mel Brooks


 

Mel Brooks (born June 28, 1926) is an American actor, writer director, and theatrical producer best known as a creator of broad film farces and parodies.

Related Topics:
June 28 - 1926 - American - Actor - Writer - Director - Theatrical producer - Farce - Parodies

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Born Melvin Kaminsky in Brooklyn, New York, Brooks served in the US Army during World War II as an engineer. He started out in show business as a stand-up comic before becoming a comedy writer for television, working on Your Show of Shows. In 1961, with Carl Reiner, he created the persona of the 2000 Year Old Man, a collection of ad libbed comedy routines made into a series of comedy records. With Buck Henry, he created the successful TV series Get Smart. In 1975, Brooks created When Things Were Rotten, a well-received Robin Hood parody that lasted only 13 episodes; nearly 20 years later, Brooks mounted another Robin Hood parody with '.

Related Topics:
Brooklyn, New York - World War II - Stand-up comic - Your Show of Shows - 1961 - Carl Reiner - 2000 Year Old Man - Buck Henry - Get Smart - 1975 - When Things Were Rotten - Robin Hood

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He later moved into film, working as an actor, director, writer and producer. Among his most popular films have been Young Frankenstein (co-written with Gene Wilder) and Blazing Saddles (co-written with Richard Pryor), both of which were released in 1974. Brooks developed a repertory company of sorts for his film work: performers with three or more Brooks films to their credit include Wilder, Dom DeLuise, Madeline Kahn, Harvey Korman, Cloris Leachman and, of course, Brooks himself.

Related Topics:
Young Frankenstein - Gene Wilder - Blazing Saddles - Richard Pryor - 1974 - Dom DeLuise - Madeline Kahn - Harvey Korman - Cloris Leachman

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In 1980 Brooks became interested in producing the film "The Elephant Man" directed by David Lynch. Knowing that anyone seeing the poster with "Mel Brooks presents The Elephant Man" would go along expecting a comedy, he set up the company Brooksfilm to produce the film. Brooksfilm has since produced a number of non-comedy films, including David Cronenberg's The Fly (1986), Frances, and 84 Charing Cross Road, starring Anthony Hopkins and Anne Bancroft, as well as comedies, including Richard Benjamin's My Favorite Year.

Related Topics:
1980 - The Elephant Man - David Lynch - David Cronenberg - The Fly (1986) - Frances - 84 Charing Cross Road - Anthony Hopkins - Anne Bancroft - Richard Benjamin - My Favorite Year

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Brooks' most recent success has been a transfer of his film The Producers to the Broadway stage. Brooks was also featured in the 2005 animated film. He is currently working on a sequel to his 1987 hit Spaceballs, a parody of the Star Wars and Star Trek series.

Related Topics:
The Producers - Broadway - Sequel - 1987 - Spaceballs - Star Wars - Star Trek

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Brooks is one of a select group who have received an Oscar, Emmy, Tony, and Grammy. In a 2005 poll to find The Comedian's Comedian, he was voted #50 of the top 50 comedy acts ever by fellow comedians and comedy insiders. Three of Brooks' films are on the American Film Institute's list of funniest American films: Blazing Saddles (#6), The Producers (#11), and Young Frankenstein (#13).

Related Topics:
One of a select group - Oscar - Emmy - Tony - Grammy - 2005 - The Comedian's Comedian - American Film Institute - Funniest American films - Blazing Saddles - The Producers - Young Frankenstein

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Brooks was married to Florence Baum from 1951 to 1961. Their marriage ended in divorce. Mel and Florence had three children, Stefanie, Nicky, and Eddie. More famously, he was married to the actress Anne Bancroft from 1964 until her death June 6, 2005. They met on rehearsal for the Perry Como variety show in 1961 and married 3 years later, August 5th. They had one son, Maximillian, in 1972.

Related Topics:
Anne Bancroft - 1964 - June 6 - 2005 - Perry Como - Variety show - 1961 - Maximillian - 1972

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They worked together on two films: Brook's 1983 remake of To Be or Not to Be and in his 1976 Silent Movie. Years later, they appeared as themselves in the fourth season finale of Curb Your Enthusiasm, spoofing the finale of The Producers. It is reported that Bancroft encouraged Brooks to take The Producers to Broadway which became an enormous success. Such success has translated to a big screen version of the Broadway adaptation/remake with actors Matthew Broderick and Nathan Lane reprising their stage roles, in addition to new cast members Uma Thurman and Will Ferrell for Christmas 2005.

Related Topics:
1983 - To Be or Not to Be - 1976 - Silent Movie - Curb Your Enthusiasm - The Producers

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Introduction
Selected filmography
External links

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Free to Be... You and Me: the 35 Anniversary Edition: the book every kid needs

Free To Be... You and Me was one of my favorite movie/record/books when I was growing up. Marlo Thomas's 1972 project brought together an all-star cast to perform songs, poems and sketches that challenged gender stereotypes and delivered a fundamentally humane, loving message about being who you are and not being constrained by society's expectations. When I was a teenager, a couple of my friends, Shona and Ted, got ahold of a print of the film and showed it at my school. It was an instant smash hit. The memories came roaring back for all of us, the wonderful songs, the humor, the nostalgia. Those songs became anthemic in my social circle, and not just as some ironic throwback -- there's some kick-ass music on that soundtrack. So in the early 1990s, I decided to put up a Free to Be... fan-site, and I went ahead and registered freetobeyouandme.com. Then life intervened. 15 years went by and I kept on paying for the domain. I'm not sure why -- I guess I thought I might get around to putting up that fan-site, and I didn't want the site getting into the hands of some pornographer or similar. Last spring, I got an email from a law-firm in New York that represents the Free to Be Foundation..., a charitable trust that oversees the Free to Be project and produces educational material about gender equality. The note said that the Foundation was interested in getting the domain for use in connection with the book, and would I be interested in discussing the matter. The note did not contain any threats, veiled or otherwise. It didn't call me a domain-squatter or mention WIPO's UDRP. It was polite, friendly -- just the sort of thing I'd expect from the people who gave us Free To Be...You and Me. So I called up the lawyer, Cris Criswell, and asked him to tell me more. It turned out that the Foundation was about to publish a 35th anniversary edition of the book, with new art and a bound-in CD, and they wanted to use the domain to promote it. He explained that the Foundation was a charitable 501(c)3, with a board of directors that included Marlo Thomas, Gloria Steinem, and other people I admired and trusted. "OK," I said, "it's yours." "Just like that?" "Sure. You didn't threaten me and you're doing good work. Of course you can have it." "Of course I didn't threaten you. I figure fans have rights too." See what I mean? I asked for one thing: would they send me a copy of the 35th Anniversary edition, signed and inscribed to my newborn daughter, who was already listening to the soundtrack with me? Of course they would. I'm holding it in my hands now. It's amazing. The new art is fabulous. And I've got the CD on now, and the music is just as great as I remembered. There's Rosie Greer singing, "It's All Right to Cry," Michael Jackson singing "I Don't Have to Change at All" (!), Alan Alda singing "William Wants a Doll," Harry Belafonte singing, "Parents are People,' the Smothers Brothers singing "Helping." There's Carol Channing reciting the cleaning poem, and Mel Brooks doing the convulsively funny "Boy Meets Girl" sketch. It is just brilliant. And wonderful. If you were to distill the messages that every kid needs to hear to grow up to be a confident, loving individual who does what's right even when society sneers, if you were to turn them into great songs, funny poems, without a hint of preachiness or condescension, it would be this book and CD. Every kid needs this book -- and the organization that publishes it is every bit as great as the book itself. Hi! Hi! I'm a baby! Well what do you think I am, a loaf of bread? You could be, what do I know, I'm just born, I'm a baby, I don't even know if I'm under a tree or in a hospital or what, I'm just so glad to be here. Well, I'm a baby too. Have it your own way, I don't want to fight about it. What, are you scared? Yes, I am, I'm a little scared. I'll tell you why. You see, I don't know if I'm a boy or a girl yet. What's that got to do with it? Well, if you're a boy and I'm a girl you can beat me up! You think I want to lose a tooth my first day alive? What's a tooth? Search me, I'm just born, I'm a baby, I don't know nothing yet! You think you're a girl? I don't know, I might be. I think I am. I 've never been anything before. Let me see, let me take a little look around. Hmm... cute feet, small, dainty, yup, yup, I'm a girl, that's it, girl time. Well, what do you think I am? You, that's easy, you're a boy. You sure? Of course I'm sure. I'm alive already four, five minutes, right? I haven't been wrong yet. Gee, I don't feel like a boy. That's because you can't see yourself. Why, what do I look like? Bald. You're bald, fellah. Bald, bald, bald, you're bald as a ping-pong ball, are you bald. So? So, boys are bald and girls have hair. Are you sure? Of course I'm sure. Who's bald, your mother or your father? My father. I rest my case. Hmm. You're bald too. You're kidding! No, I'm not. Don't look! Why? Ugghhh. A bald girl. Yuck. Disgusting. Free to Be...You and Me (The 35th Anniversary Edition), Free to Be Foundation (includes free MP3s from the CD)...