Manolis Anagnostakis

Manolis Anagnostakis (10 March 1925 - 23 June 2005) was a Greek poet and critic at the forefront of the Marxist and existentialist poetry movements arising during and after the Greek Civil War in the late 1940s. Anagnostakis was a leader amongst his contemporaries and influenced the generation of poets immediately after him. His poems have been honored in Greece's national awards and arranged and sung by contemporary musicians.

Poetry

Anagnostakis' poetry has been described as "terse"{{ref|Vlavianós}}. His early works may be comparable in number of lines to Cavafy, but do contain single-word lines and single-line verse paragraphs{{ref|Winter1942}}. Other characteristics of the early poems are its "bold, conversational tone"{{ref|Beaton}}, sometimes in the form of an epistle, and at others culminating in direct advice to the reader. This style, along with Anagnostakis' simple, direct description of a hostile world{{ref|TheMorning...}} was emulated by other left-wing poets of his generation.

Related Topics:
Cavafy - Verse paragraph - Epistle

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Beaton also notes "a deep distrust of the poet's very medium, which runs through almost all the poetry of his generation"{{ref label|Beaton|5|a}}, as, for instance, in the poem "Now He Is A Simple Spectator". Also unusual amongst those contemporary poets sharing Anagnostakis' politics is Anagnostakis' use of Christian imagery in his poetry{{ref|Christology}}.

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In the Synecheia series, written between the Civil War and the Regime of the Colonels, Vangelis Hadjivassiliou notes that Anagnostakis extends that ambivalence to his politics, as well. Anagnostakis asserts both that "...the War is not over yet./ For no war is ever over!" and that he is "Laughing at your wealth of armours/ Suddenly infiltrating your lines/ Upsetting the solid arrays"{{ref label|Hadjivassiliou|1|a}}.

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The O stochos poems were written during the Regime of the Colonels. This work contains poems differing from the above characterizations of Anagnostakis as "ambivalent" and "grim"{{ref label|Vlavianós|3|a}}. The book contains both a defense of poetry ("Poetics"), and a sardonic response to Cavafy's "Young Men of Sidon (A.D. 400)", titled "Young Men of Sidon, 1970", which defends levity against the demand for seriousness from Cavafy's "vivacious young man"{{ref|Sidon}}. Ekdotike Athenon S.A. cites the work as examplary of Greek poetry after the Second World War, describing it as " the social questioning typical of the poetry of the post-war generation"{{ref|Ekdotike}}.

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The post-1971 poems were, in some cases, even more terse than the Epoches poems, often being only epigrams.

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Categorizing Anagnostakis' poetry into a movement has proven somewhat challenging for critics. Hadjivassiliou characterizes the period of the Continuations as "wholly political"{{ref label|Hadjivassiliou|1|b}}. Nassos Vagenas, on the other hand, divides post-war Greek poetry into Marxist, existentialist, and surrealist, and then places Anagnostakis in the existentialist movement{{ref|Vagenas}}.

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