MAD Magazine

Mad is an American humor magazine founded by publisher William Gaines and editor Harvey Kurtzman in 1952. Offering satires on all aspects of American pop culture, the monthly publication deflates stuffed shirts and pokes fun at common foibles. It is the last surviving title from the notorious and critically acclaimed EC Comics line. Publisher Gaines had suffered greatly from censorship, which had literally driven his prior line of EC horror comics from the stands.

History

With the first issue (October-November, 1952), Mad was a comic book, and its subtitle, "Tales Calculated To Drive You" above the title Mad, referenced radio's Suspense which each week used the opening, "Tales well calculated to keep you in... Suspense!" Written almost entirely by Harvey Kurtzman, the first issue displayed the cartoon talents of Kurtzman, Wally Wood, Will Elder, Jack Davis and John Severin. Wood, Elder, and Davis were the main three illustrators throughout the run of the comic book, along with a handful of other contributions by artists Basil Wolverton, Bernard Krigstein and Russ Heath. Severin, a mainstay of Kurtzman's EC war comics, was phased out of Mad, while Kurtzman himself only sporadically included his own cartooning. However, he was known as an exceedingly "hands-on" editor and a visual master, and thus many Mad articles were illustrated in accordance with Kurtzman's layouts.

Related Topics:
Comic book - Wally Wood - Will Elder - Jack Davis - John Severin - Basil Wolverton - Bernard Krigstein - Russ Heath

~ ~ ~ ~ ~ ~ ~ ~ ~ ~

The first two issues spoofed only comic book genres of romance, horror, sports and science fiction without specific references. However, with the third issue, Kurtzman began to create specific parodies of well-known radio programs ("Dragged Net!"), newspaper comic strips ("Little Orphan Melvin!"), comic books ("Superduperman!"), movies ("Ping Pong!") and television ("Howdy Dooit!").

~ ~ ~ ~ ~ ~ ~ ~ ~ ~

In 1955, with issue 24, the comic book was converted into a magazine. The popular myth is that this was done to escape the strictures of the Comics Code Authority, which was imposed in 1955 following Senate hearings on juvenile delinquency. Actually, Kurtzman received a lucrative offer from another publisher, only staying when Gaines agreed to convert "Mad" to a slick magazine. The immediate practical result was that Mad acquired a broader range in both subject matter and presentation. Magazines had wider distribution than comic books and a more adult readership. Though there are antecedents to Mads style of humor in print, radio and film, the overall package was a unique one that stood out in a staid era. Throughout the 1950s Mad featured groundbreaking parodies combining a sentimental fondness for the familiar staples of American culture—such as Archie and Superman—with a keen joy in exposing the fakery behind the image.

Related Topics:
Magazine - Comics Code Authority - 1955 - Senate - Juvenile delinquency - 1950s - Archie - Superman

~ ~ ~ ~ ~ ~ ~ ~ ~ ~

After original editor Kurtzman left in 1956 following a business dispute with Gaines, he was replaced by Al Feldstein, who oversaw the magazine during its greatest heights of circulation. When Feldstein retired in 1984, he was replaced by the team of Nick Meglin and John Ficarra, who co-edited "Mad" for the next two decades. Meglin retired in 2004. Ficarra continues to edit the magazine today.

Related Topics:
1956 - Al Feldstein - 1984 - Nick Meglin - John Ficarra

~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Mad is often credited by social theorists with filling a vital gap in political satire in the 1950s to 1970s, when Cold War paranoia and a general culture of censorship prevailed in the United States, especially in literature for teens. The rise of such factors as cable television and the Internet have diminished the influence and impact of Mad, although it remains a widely distributed magazine. In a way, Mads power has been undone by its own success; what was subversive in the 1950s and 1960s is now commonplace. However, its impact on three generations of humorists is incalculable, as can be seen in the frequent references to Mad on the animated series The Simpsons.

Related Topics:
1970s - Cold War paranoia - Censorship - Television - Internet - Magazine - 1950s - 1960s - The Simpsons

~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Mad was noted for its absence of advertising, enabling it to skewer the excesses of a materialist culture without fear of advertiser reprisal. The magazine often featured numerous parodies of ongoing American advertising campaigns. During the 1960s, it satirized such topics as hippies, the Vietnam War, and drug abuse. The magazine gave equal time to counterculture drugs such as cannabis as well as to mainstream drugs such as tobacco and alcohol. Although one can detect a generally liberal tone, the magazine always slammed Democrats as mercilessly as Republicans.

Related Topics:
Advertising - 1960s - Hippies - Vietnam War - Drug abuse - Cannabis - Tobacco - Alcohol - Liberal - Democrats - Republicans

~ ~ ~ ~ ~ ~ ~ ~ ~ ~

For tax reasons, Gaines had sold his company in the early 1960s to the Kinney National Company, which also acquired Warner Bros by the end of that decade. Though technically an employee for 30 years, the fiercely independent Gaines was largely permitted to run Mad without corporate interference. Following Gaines' death in 1992, though, Mad became more ingrained within the AOL Time Warner conglomerate.

Related Topics:
Kinney National Company - Warner Bros - 1992 - AOL Time Warner

~ ~ ~ ~ ~ ~ ~ ~ ~ ~

In 2001, the magazine broke its long-standing taboo and began running advertising. Today, the magazine is published by a branch of DC Comics and in recent years has used its advertising revenue to increase the use of color. The Mad logo has remained virtually unchanged since 1955, save for the decision to italicize the lettering beginning in 1997. The title is sometimes seen in all uppercase letters, but the magazine's official historian, Maria Reidelbach, in her comprehensive, authorized study, Completely Mad: A History of the Comic Book and Magazine (Little, Brown, 1991), makes it clear that the title is correct in upper and lowercase.

Related Topics:
2001 - DC Comics - 1955 - Italicize - 1997

~ ~ ~ ~ ~ ~ ~ ~ ~ ~