John Reed (journalist)

John "Jack" Silas Reed (October 22, 1887 – October 19, 1920) was a journalist and a Communist activist, famous for his first-hand account of the Bolshevik Revolution called Ten Days that Shook the World. He was the husband of the writer and feminist Louise Bryant and was the subject of a 1981 movie Reds.

Journalism

He became well known for his journalism particularly for his sympathetic coverage of workers' strikes and his reporting of the Mexican Revolution. Reed and his wife, Louise Bryant, were also close friends of Eugene O'Neill. While in Europe covering the events of World War I, Reed heard about the brewing Bolshevik Revolution, and went to Russia in 1917. His experiences and interviews with Vladimir Lenin became the subject of a book.

Related Topics:
Mexican Revolution - Eugene O'Neill - Europe - World War I - Bolshevik Revolution - Russia - 1917 - Vladimir Lenin

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At Harvard between 1906 and 1910, Reed was an athlete (swimming and water polo), a prankster, a cheer leader, a writer for the Lampoon, a student of the famous writing teacher they called Copey (Charles Townsend Copeland), at the same time, a protégé of the muckraker Lincoln Steffens. He was a mischievous critic of Harvard snobbery, though not a member of Walter Lippmann's Socialist Club.

Related Topics:
Lincoln Steffens - Walter Lippmann

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On graduation, he worked for his passage aboard a freighter to Europe where he spent time in London, Paris and Madrid before returning to join a cluster of Bohemian radical writers living in Greenwich Village. There Steffens helped him get his first job doing rather routine editorial work for a literary political magazine called The American.

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Reed went to Lawrence, Massachusetts, where women and children had walked out of the textile mills and were carrying on a strike with the help of the IWW (the revolutionary Industrial Workers of the World) and the Socialist Party. Reed met Bill Haywood, the IWW leader.

Related Topics:
Industrial Workers of the World - Socialist Party - Bill Haywood

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From Haywood he learned of the strike of 25,000 silk workers across the Hudson River in Paterson, New Jersey asking for an eight-hour day and being clubbed by the police. The press was not reporting any of this, so Reed went to Paterson. He walked the picket line, was arrested for refusing to move on, spent four days in jail. He wrote about this for The Masses.

Related Topics:
New Jersey - Eight-hour day - The Masses

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He attended a mass meeting for the Paterson strikers, heard the young Irish radical Elizabeth Gurley Flynn speak of the power of folded arms, and Reed led the crowd in singing the Marseillaise and the Internationale. He and Mabel Dodge, whose Fifth Avenue apartment was a center for art and politics (and who was soon to become his lover) got a wild, brilliant idea to do a pageant on the strike in Madison Square Garden, with a thousand workers in the cast. Reed worked day and night on the script; the scenery was painted by John Sloan; and 15,000 people came and cheered.

Related Topics:
Elizabeth Gurley Flynn - Marseillaise - Internationale - Mabel Dodge - John Sloan

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In Mexico in 1914, revolutionary Pancho Villa was leading a rebellion of peasants, and the Metropolitan asked Reed to go as its correspondent. Reed was soon in the thick of the Mexican Revolution, riding with Villa himself, sending back stories which were acclaimed by Walter Lippmann as "the finest reporting that's ever been done.... The variety of his impressions, the resources and color of his language seemed inexhaustible...and Villa's revolution, till then reported only as a nuisance, began to unfold itself into throngs of moving people in a gorgeous panorama of earth and sky." Reed's collection of articles, Insurgent Mexico, was not what is admired in journalism schools as "objective reporting." It was meant to help a revolution.

Related Topics:
Pancho Villa - Walter Lippmann

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Reed had barely returned to New York, acclaimed now as a great journalist, when the shocking news of the Ludlow Massacre spread through the country. In Southern Colorado, striking miners had been fired upon by National Guardsmen in the pay of the Rockefellers. He was soon on the scene, writing "The Colorado War."

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Summer, 1914, he was in Provincetown, which was to become his refuge those next years, for swimming, writing, love-making (until 1916, a stormy affair with Mabel Dodge). That August, the war began in Europe. In an unpublished manuscript, Reed wrote: "And here are the nations, flying at each other's throats like dogs...and art, industry, commerce, individual liberty, life itself taxed to maintain monstrous machines of death."

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Reed went home to Portland to see his mother, who never approved of his radical ideas. There, at the local IWW hall, he heard Emma Goldman speak. It was an experience. She was that generation's powerhouse of feminism and anarchism.

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The big periodicals of New York pressed him to cover the European war for them, and he agreed to go for the magazine The Metropolitan. At the same time he wrote an article for The Masses It was a war for profit, he said. On the way to Europe, he was conscious of the rich on the first-class decks, and three thousand Italians in the hold. He was soon in England, in Switzerland and Germany, and then, in France, walking through the fields of war: rain, mud, corpses. What depressed him most was the patriotism seizing everyone on both sides, even some Socialists, like H.G. Wells in England.

Related Topics:
The Metropolitan - The Masses - H.G. Wells

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When he returned to the States after four months, he found the radicals Upton Sinclair and John Dewey. And Walter Lippmann too. Lippmann, now editor of The New Republic, wrote in December, 1914 an essay: "The Legendary John Reed." It defined the distance between himself and Reed. "By temperament he is not a professional writer or reporter. He is a person who enjoys himself." And then Lippmann gave the ultimate dismissal: "Reed has no detachment and is proud of it."

Related Topics:
Upton Sinclair - John Dewey - Walter Lippmann - The New Republic

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Reed went back to the war in 1915, this time to Russia, to the burned and looted villages, to the mass killings of the Jews by the Tsar's soldiers, to Bucharest, Constantinople, Sofia, then Serbia and Greece. Back in America, he listened to the endless talk about military preparedness against "the enemy," and wrote for The Masses that the enemy for the American working man was the 2 percent of the population which owned 60 percent of the national wealth. "We advocate that the workingman prepare to defend himself against that enemy. This is our Preparedness."

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Early in 1916, John Reed met Louise Bryant in Portland and they fell immediately in love. She left her husband and joined Reed in New York. She was herself a writer and an anarchist of sorts. That summer Reed sought respite from the sounds of war on Provincetown's quiet beaches, with Bryant. There is a snapshot of her lying on the sands, nude and demure.

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By April 1917, Woodrow Wilson was asking Congress to declare war on Germany, and John Reed wrote in The Masses. "War means an ugly mob-madness, crucifying the truth-tellers, choking the artists.... It is not our war." He testified before Congress against conscription: "I do not believe in this war...I would not serve in it."

Related Topics:
Woodrow Wilson - The Masses

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When Emma Goldman and Alexander Berkman were arrested under the Draft Act for "conspiracy to induce persons not to register," Reed was a witness in their defense. They were convicted and sent to prison. So were a thousand other Americans who opposed the war. Radical newspapers were banned, among them The Masses.

Related Topics:
Emma Goldman - Alexander Berkman - Draft Act - The Masses

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Reed was distressed by the way the working classes in Europe and America were supporting the war. Yet he continued to hope: "I cannot give up the idea that out of democracy will be born the new world-richer, braver, freer, more beautiful."

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