Jean Vigo

Jean Vigo was a short-lived French film director, who helped in the establishment of poetic realism in film in the 1930s and went on to be a posthumous influence on the French nouvelle vague of the late 1950s and early 1960s.

Related Topics:
French - Film director - Poetic realism - 1930s - Nouvelle vague - 1950s - 1960s

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Born on 26 April, 1905, to Emily Clero and the prominant militant anarchist Eugene Bonaventure de Vigo, (who adopted the name Miguel Almereyda - an anagram of "y'a la merde", which translates as "there is shit"). Much of his early life was spent on the run with his parents. His father, who was imprisoned, was strangled in his cell in Frenes Prison on the night of 13 August 1917. It was believed to have been the doing of the authorities, as Almereyda had earlier that day asked to speak to his lawyer, who was due to see him the following day. The young Vigo was subsequently sent to boarding school under an assumed name, Jean Sales, to conceal his identity.

Related Topics:
26 April - 1905 - Anarchist - Eugene Bonaventure de Vigo - Frenes - 13 August - 1917

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He is noted for two very important films which significantly affected the future development of both French and world cinema: Zéro de Conduite (1933) and ''L'Atalante (1934).

Related Topics:
Zéro de Conduite - 1933 - 'L'Atalante - 1934

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He also made two other films: ' (1929), a highly subversive silent film examining social inequity in 1920s Nice and the film Taris (1931), an elegant motion study of swimmer Jean Taris.

Related Topics:
1929 - Silent film - 1920s - Nice - Taris - 1931 - Jean Taris

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His films have been depicted by some and certainly by contemporaneous political administrations as being unpatriotic and were consequently heavily censored by the French government.

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