Italian opera

Italian opera can be divided into three periods, the Baroque, the Romantic and the modern. The Baroque appeared first, at the beginning of the seventeenth century, and approximately 200 years later, the Romantic. The word opera is a shortened form of the Italian opera in musica (work in music); an English dictionary in 1656 stated, "In Italy it signifies a tragedy, tragi-comedy, or pastoral which is not acted after the vulgar manner, but performed by voices in that way, which the Italians term, 'recitative', being likewise adorned with scenes by perspective, and extraordinary advantage by music."

Romantic Period

Romantic opera, which placed emphasis on the imagination and the emotions began to appear in the early 19th century, and because of its arias and music, gave more dimension to the extreme emotions which typified the theater of that era. In addition, it is said that fine music often excused glaring faults in character drawing and plot lines. Gioacchino Rossini (1792-1868) initiated the Romantic period. His first success was an "opera buffa" (comic opera), La Cambiale di Matrimonio (1810). His reputation still survives today through his Barber of Seville. But he also wrote serious opera, Otello (1816) and Guilliame Tell (1829).

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Rossini's successors in the Italian bel canto were Vincenzo Bellini (1801-35), Gaetano Donizetti (1797-1843) and Giuseppe Verdi (1813-1901). It was Verdi who transformed the whole nature of operatic writing during the course of his long career. His first great successful opera, Nabucco (1842), caught the public fancy because of the driving vigour of its music and its great choruses. Va, pensiero, one of the chorus renditions, was interpreted and gave advantageous meaning to the struggle for Italian independence and to unify Italy.

Related Topics:
Vincenzo Bellini - Gaetano Donizetti - Giuseppe Verdi

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After Nabucco, Verdi based his operas on patriotic themes and many of the standard romantic sources: Victor Hugo (Ernani, 1844); Byron (Il Duo Foscari, 1844); and Shakespeare (Macbeth, 1847). Verdi was experimenting with musical and dramatic forms, attempting to discover things which only opera could do. In 1877, he created Otello which completely replaced Rossini's opera, and which is described by critics as the finest of Italian romantic operas with the traditional components: the solo arias, the duets and the choruses fully integrated into the melodic and dramatic flow.

Related Topics:
Victor Hugo - Byron - Shakespeare

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Verdi's last opera, Falstaff (1893), broke free of conventional form altogether and finds music which follows quick flowing simple words and because of its respect for the pattern of ordinary speech, it created a threshold for a new operatic era in which speech patterns are paramount.

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Opera had become a marriage of the arts, a musical drama, full of glorious song, costume, orchestral music and pageantry; sometimes, without the aid of a plausible story. From its conception during the baroque period to the maturity of the romantic period, it was the medium through which tales and myths were revisited, history was retold and imagination was stimulated. The strength of its alluring beauties holds firm today.

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Source: Dr. Anthony A. Abruzzese of the PIRANDELLO LYCEUM Institute of Italian American Studies, Research and Cultural Disemmination.

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