Hypermodernism (chess)

Hypermodernism is a school of chess thought which advocates controlling the center of the board with distant pieces rather than with pawns, thus inviting the opponent to occupy the center with pawns which can then become objects of attack.

Related Topics:
Chess - Pawns

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The Hypermodern School of chess theory came to prominence in the 1920's. Leading members were Aron Nimzowitsch, Richard Réti, Ksawery Tartakower, and Gyula Breyer, who all came from central Europe. They felt that chess was becoming boring, slow and unworthwhile. They also believed that chess could not be defined by a simple set of laws or principles, such as those laid out by the German Siegbert Tarrasch.

Related Topics:
1920 - Aron Nimzowitsch - Richard Réti - Ksawery Tartakower - Gyula Breyer - Siegbert Tarrasch

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Their ideas were thus a challenge to the existing orthodoxy popularised by Tarrasch in the 1890's. This orthodoxy was a rather dogmatic distillation of the ideas worked out by the great chess pioneer Wilhelm Steinitz. Steinitz was the first player who in his play demonstrated a mastery of positional chess ideas and the ideas he developed came to be known as the "Classical" or "Modern" school of thought. This school of thought emphasized the importance of "static" advantages such as: avoidance of pawn weaknesses, strong outposts for knights, and striving for "good" rather than "bad" bishops in locked pawn positions. This school of thought was in turn a reaction to the earlier swashbuckling style of Adolf Anderssen, Henry Blackburne and others who represented the Romantic school.

Related Topics:
1890 - Wilhelm Steinitz - Adolf Anderssen - Henry Blackburne - Romantic

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In 1922, Richard Réti published Die neuen Ideen im Schachspiel (the English translation, Modern Ideas in Chess, was published in 1923), an examination of the evolution of chess thinking from time of Paul Morphy through the beginning of the hypermodern school. Tartakower's book Die hypermoderne Schachpartie (Hyper-modernist chess play) was published in 1924. Nimzowitsch's famous book Mein System (My System) was published in 1924 and included elements of Hypermodernism, but was largely a positional text.

Related Topics:
1922 - 1923 - Paul Morphy - 1924 - Mein System

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Although none of the primary exponents of the Hypermodern School ever achieved the title of World Chess Champion, they were among the world's strongest players. World Champion Alexander Alekhine was associated with hypermodernism though his style was more of a blend with the Classical School.

Related Topics:
World Chess Champion - Alexander Alekhine

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In practice hypermodernism has not replaced the classical theory of Steinitz and Tarrasch. Instead, modern chess textbooks describe hypermodernism as an addition, or extension, to classical theory.

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Hypermodern openings include the Réti Opening, King's Indian, Queen's Indian, Nimzo-Indian, Bogo-Indian, and Old Indian Defences, the Catalan Opening, the King's Indian Attack, Alekhine's Defence, the Modern Defense and to a lesser degree the English Opening. Openings such as 1...a6 do not constitute hypermodern openings since, although they delay the occupation of the centre with pawns, they also delay development which is not consistent with Hypermodernism.

Related Topics:
Openings - Réti Opening - King's Indian - Queen's Indian - Nimzo-Indian - Bogo-Indian - Old Indian - Catalan Opening - King's Indian Attack - Alekhine's Defence - Modern Defense - English Opening

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