Gian Paolo Lomazzo

Gian Paolo Lomazzo (Milan, April 26, 1538 – Milan, February 13, 1600; his first name is sometimes also given as "Giovan" or "Giovanni") was a Milanese painter of the second generation that produced Mannerism in Italian art and architecture. Lomazzo became blind in later life, and turning to writing, produced two complex treatises that are milestones in the development of art criticism. His first work, Trattato dell'arte della pittura, scoltura et architettura (Milan, 1584) is in part a guide to contemporary concepts of decorum, which the Renaissance inherited in part from Antiquity, which controlled a consonance between the functions of interiors and the kinds of painted and sculpted decors that would be suitable in a systematic codification of esthetics that typifies the more formalized and academic approaches typical of the later 16th century.

Related Topics:
Milan - April 26 - 1538 - February 13 - 1600 - Mannerism - Art criticism - Decorum - Antiquity - Esthetics - Academic

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His less practical and more metaphysical Idea del tempio della pittura ("The ideal temple of painting", Milan, 1590) offers a description along the lines of the "four temperaments" theory of the human nature and personality, containing the explanations of the role of individuality in judgment and artistic invention.

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Lomazzo's criticism took into account three aspects of critical viewing of works of art: doctrina, the record of discoveries— such as perspective— that artists had made in the course ofhistory; prattica, the personal preferences and maniera of the artist, and iconography, the literary element in arts. Lomazzo?s contribution to art criticism was his systematic extraction of abstract concepts from art, not merely a recounting of the marvels of verisimilitude and technique and anecdotes of the works' reception among contemporaries of the type that Giorgio Vasari had reported in the previous generation.

Related Topics:
Perspective - Iconography - Giorgio Vasari

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