Gabriele D'Annunzio
Gabriele D'Annunzio (12 March 1863 – 1 March 1938) was an Italian poet, writer, novelist, dramatist, daredevil and war hero, who went on to have a controversial role in politics as a precursor of the fascist movement.
Life
Gabriele D'Annunzio was of Dalmatian extraction. He was born in Pescara (Abruzzi), the son of a wealthy landowner and mayor of the town whose name was originally Francesco Rapagnetta, to which he legally added d'Annunzio. His precocious talent was recognised early in life, and he was sent to school at the Liceo Cicognini in Prato, Tuscany. He published his first poetry while still at school at the age of sixteen with a small volume of verses called Primo Vere (1879), influenced by Giosuč Carducci's Odi barbare, in which, side by side with some almost brutal imitations of Lorenzo Stecchetti, the then fashionable poet of Postuma, were some translations from the Latin, distinguished by such agile grace that Giuseppe Chiarini on reading them brought the unknown youth before the public in an enthusiastic article. In 1881 he entered the University of Rome La Sapienza, where he became a member of various literary groups, including Cronaca Bizantina (see Carducci) and wrote articles and criticism for local newspapers. Here he published Canto Nuovo (1882), Terra Vergine (1882), L'Intermezzo di Rime (1883), Il Libro delle Vergini (1884), and the greater part of the short stories that were afterwards collected under the general title of San Pantaleone (1886). In Canto Nuovo we have admirable poems full of pulsating youth and the promise of power, some descriptive of the sea and some of the Abruzzi landscape, commented on and completed in prose by Terra Vergine, the latter a collection of short stories dealing in radiant language with the peasant life of the author's native province. With the Intermezzo di Rime we have the beginning of d'Annunzio's second and characteristic manner. His conception of style was new, and he chose to express all the most subtle vibrations of voluptuous life. Both style and contents began to startle his critics; some who had greeted him as an enfant prodige--Chiarini amongst others--rejected him as a perverter of public morals, whilst others hailed him as one bringing a current of fresh air and the impulse of a new vitality into the somewhat prim, lifeless work hitherto produced.
Related Topics:
Pescara - Prato - 1879 - Giosuč Carducci - 1881 - University of Rome La Sapienza - Carducci - Newspaper
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Meanwhile the Review of Angelo Sommaruga perished in the midst of scandal, and his group of young authors found itself dispersed. Some entered the teaching career and were lost to literature, others threw themselves into journalism. Gabriele d'Annunzio took this latter course, and joined the staff of the Tribuna. For this paper, under the pseudonym of "Duca Minimo,"he did some of his most brilliant work, and the articles he wrote during that period of originality and exuberance would well repay being collected. To this period of greater maturity and deeper culture belongs Il Libro d' Isotta (1886), a love poem, in which for the first time he drew inspiration adapted to modern sentiments and passions from the rich colours of the Renaissance. Il Libro d' Isotta is interesting also, because in it we find most of the germs of his future work, just as in Intermezzo melico and in certain ballads and sonnets we find descriptions and emotions which later went to form the aesthetic contents of Il Piacere, Il Trionfo della Morte, and Elegie Romane (1892).
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D' Annunzio's first novel Il Piacere (l889)--translated into English as The Child of Pleasure--was followed in 1891 by L' Innocente (The Intruder), and in 1892 by Giovanni Episcopo. These three novels created a profound impression. L' Innocente, admirably translated into French by Georges Herelle, brought its author the notice and applause of foreign critics. His next work, Il Trionfo della Morte (The Triumph of Death) (1894), was followed at a short distance by La Vergini della Roccio (1896) and Il Fuoco (1900), which in its descriptions of Venice is perhaps the most ardent glorification of a city existing in any language.
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D' Annunzio's poetic work of this period, in most respects his finest, is represented by Il Poema Paradisiaco (1893), the Odi Navali (1893), a superb attempt at civic poetry, and Laudi (1900).
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A later phase of d' Annunzio's work is his dramatic production, represented by Il Sogno di un mattino di primavera (1897), a lyrical fantasia in one act; his Cilia Morta (1898), written for Sarah Bernhardt, which is certainly among the most daring and original of modern tragedies, and the only one which by its unity, persistent purpose, and sense of fate seems to continue in a measure the traditions of the Greek theatre. In 1898 he wrote his Sogno di un Pomeriggio d' Autunno and La Gioconda; in the succeeding year La Gloria, an attempt at contemporary political tragedy which met with no success, probably through the audacity of the personal and political allusions in some of its scenes; and then Francesca da Rimini (1901), a perfect reconstruction of medieval atmosphere and emotion, magnificent in style, and declared by one of the most authoritative Italian critics--Edoardo Boutet--to be the first real although not perfect tragedy which has ever been given to the Italian theatre.
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In 1883 d'Annunzio married Maria Hardouin di Gallese, and had three sons, but the marriage ended in 1891. In 1894 he began a love affair with the famous actress Eleonora Duse which became a cause célčbre. He provided leading roles for her in his plays of the time such as La Cittŕ morta (The dead city) (1898) and Francesca da Rimini (1901), but the tempestuous relationship finally ended in 1910.
Related Topics:
Eleonora Duse - 1910
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In 1897 D'Annunzio was elected to the Chamber of Deputies for a three-year term, where he sat as an independent. By 1910 his daredevil lifestyle had forced him into debt, and he fled to France to escape his creditors. There he collaborated with composer Claude Debussy on a musical play Le martyre de Saint Sébastien (The Martyrdom of St Sebastian, 1911).
Related Topics:
Chamber of Deputies - 1910 - Daredevil - France - Claude Debussy - Sebastian - 1911
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After the start of World War I, D'Annunzio returned to Italy and made public speeches in favor of Italy's entry on the side of the Allies. He then volunteered and achieved further celebrity as a fighter pilot, losing the sight of an eye in a flying accident. On 9 August 1918, as commander of the 87th fighter squadron "La Serenissima", he organized one of the great feats of the war, leading 9 planes in a 700 mile round trip to drop propaganda leaflets on Vienna.
Related Topics:
World War I - Italy - Allies - Fighter pilot - 9 August - 1918 - Propaganda - Vienna
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The War stengthened his nationalistic views, and he campaigned widely for Italy to assume a role alongside her wartime Allies as a first-rate European power. Angered by the proposed handing over of the city of Fiume (now Rijeka in Croatia) at the Paris Peace Conference, on 12 September, 1919, he led the seizure by Italian nationalist irregulars of the city, forcing the withdrawal of the inter-Allied (American, British and French) occupying forces. The plotters sought to have Italy annex Fiume, but were denied. Instead, Italy initiated a blockade of Fiume while demanding that the plotters surrender. D'Annunzio then declared Fiume an independent state (the "Italian Regency of Carnaro") with a constitution foreshadowing much of the later Italian Fascist system, with himself as "Duce" (dictator). He attempted to organize an alternative to the League of Nations for (selected) oppressed nations of the world (such as the Italians of Fiume), and sought to make alliances with various separatist groups throughout the Balkans (especially groups of Italians, though also some Slavic groups as well), although without much success. D'Annunzio ignored the Treaty of Rapallo and declared war on Italy itself, only finally surrendering the city in December 1920 after a bombardment by the Italian navy.
Related Topics:
Nationalistic - Italy - Allies - Europe - Fiume - Rijeka - Croatia - Paris Peace Conference - 12 September - 1919 - Fascist - League of Nations - Separatist - Balkans - Slavic - Treaty of Rapallo - 1920
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After the Fiume incident, D'Annunzio retired to his home on Lake Garda and spent his latter years writing and campaigning. Although D'Annunzio had a strong influence on the ideology of Benito Mussolini, he never became directly involved in fascist government politics in Italy.
Related Topics:
Lake Garda - Benito Mussolini
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In 1924 he was created Prince of Monte Nevoso and in 1937 he was made a president of the Italian Royal Academy. D'Annunzio died of a stroke at his home on 1 March 1938. He was given a state funeral by Mussolini and interred at Il Vittoriale degli Italiani.
Related Topics:
1924 - Monte Nevoso - 1937 - Italian Royal Academy - Stroke - 1 March - 1938 - Il Vittoriale degli Italiani
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