Fugue
:For the use of the word in psychology see fugue state
Is the fugue a musical form?
A widespread view of the fugue is that it is not a musical form (in the sense that, say, sonata form is) but rather a technique of composition. For instance, Donald Tovey wrote that "Fugue is not so much a musical form as a musical texture," that can be introduced anywhere as a distinctive and recognizable technique, often to produce intensification in musical development.
Related Topics:
Sonata form - Donald Tovey
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On the other hand, composers almost never write music in a purely cumulative fashion, and usually a work will have some kind of overall formal organization--hence the rough outline given above, involving the exposition, the sequence of episodes, and the concluding coda. When scholars say that the fugue is not a musical form, what is usually meant is that there is no one single formal outline into which all fugues reliably can be fitted.
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The formal organization of a fugue involves not only the arrangement of its theme and episodes, but also its harmonic structure, a point emphasized by Ratz (1951). In particular, the exposition and coda tend to emphasize the tonic key, whereas the episodes usually explore more distant tonalities.
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~ Table of Content ~
| ► | Introduction |
| ► | Characteristics and anatomy |
| ► | Is the fugue a musical form? |
| ► | History |
| ► | Perceptions and aesthetics |
| ► | References |
| ► | External links |
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