Eric Rohmer

Eric Rohmer (born Jean-Marie Maurice Scherer, April 4, 1920, Nancy, France) is a French film director. He is regarded as a key figure in the post-war New Wave cinema and is a former editor of influential French film journal Cahiers du Cinema.

Related Topics:
April 4 - 1920 - Nancy - France - Film director - New Wave cinema - Cahiers du Cinema

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Scherer fashioned his pseudonym from the names of two famous artists: director Erich von Stroheim and writer Sax Rohmer, author of the Fu Manchu series.

Related Topics:
Erich von Stroheim - Sax Rohmer - Fu Manchu

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Rohmer was the last of the French New Wave directors to become established, working as the editor of the Cahiers du Cinema periodical from 1957 to 1963, while most of his Cahiers colleagues (among them Jean-Luc Godard and François Truffaut) were making their name in international cinema. His beginnings as a film director were halting, not completing his first feature Les Petits Filles Modeles (1952) and failing to make any impact with his second Le Signe Du Lion (1959).

Related Topics:
French New Wave - Cahiers du Cinema - Jean-Luc Godard - François Truffaut

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It was with his cycle of films entitled Six Moral Tales that his career began to take off. The first, La Boulangere de Monceau lasts 20 minutes, the second 60 minutes, the rest are feature-length. Each tale follows the same basic story, inspired by F.W. Murnau's Sunrise - a man, married or otherwise committed to a woman, is tempted by a second woman, but ultimately resists the temptation. It was the third in the series (but the fourth to be filmed), Ma Nuit Chez Maud (1969) that brought international recognition and the following film, Le Genou De Claire, secured it.

Related Topics:
F.W. Murnau - Sunrise - Ma Nuit Chez Maud - Le Genou De Claire

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Rohmer's films invariably concentrate on intelligent, articulate protagonists who nevertheless frequently fail to own up to their real desires and it is the contrast between what they say and what they do that fuels much of the drama in his films.

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Following the Moral Tales, Rohmer made two period films - Die Marquise von O... (1976) from a novella by Heinrich von Kleist and Perceval le Gallois (1978), based on a 12th century manuscript by Chrétien de Troyes. A highly literary man, Rohmer's films frequently refer to ideas and themes in plays and novels, such as references to Jules Verne (in The Green Ray), Shakespeare (in A Winter's Tale) and Pascal's Wager (in Ma Nuit Chez Maud).

Related Topics:
Die Marquise von O... - Heinrich von Kleist - Perceval le Gallois - Chrétien de Troyes - Jules Verne - Shakespeare - Pascal's Wager - Ma Nuit Chez Maud

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He then embarked on a second series, the Comedies And Proverbs, each one based on a different proverb. This was followed by a third series in the 1990s: Tales Of The Four Seasons. Recently Rohmer, now well into his 80s, has turned once again to period drama with The Lady And The Duke and Triple Agent.

Related Topics:
The Lady And The Duke - Triple Agent

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