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Equal temperament


 

Equal temperament is a scheme of musical tuning in which the octave is divided into a series of equal steps (equal frequency ratios). The best known example of such a system is twelve-tone equal temperament, sometimes abbreviated to 12-TET, which is nowadays used in most Western music. Other equal temperaments do exist (some music has been written in 19-TET and 31-TET for example), but they are so rare that when people use the term equal temperament without qualification, it is usually understood that they are talking about the twelve tone variety.

Sources

  • Burns, Edward M. (1999). "Intervals, Scales, and Tuning", The Psychology of Music second edition. Deutsch, Diana, ed. San Diego: Academic Press. ISBN 0122135644. Cited:
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  • Morton, D. (1974). "Vocal tones in traditional Thai music", Selected reports in ethnomusicology (Vol. 2, p.88-99). Los Angeles: Institute for Ethnomusicology, UCLA.
  • Haddon, E. (1952). "Possible origin of the Chopi Timbila xylophone", African Music Society Newsletter, 1, 61-67.
  • Kunzt, J. (1949). Music in Java (Vol. II). The Hague: Marinus Nijhoff.
  • Hood, M. (1966). "Slendro and Pelog redefined", Selected Reports in Ethnomusicology, Institute of Ethnomusicology, UCLA, 1, 36-48.
  • Tenzer, (2000). Gamelan Gong Kebyar: The Art of Twentieth-Century Balinese Music. ISBN 0226792811 and ISBN 0226792838
  • Boiles, J. (1969). "Terpehua though-song", Ethnomusicology, 13, 42-47.
  • Wachsmann, K. (1950). "An equal-stepped tuning in a Ganda harp", Nature (Longdon), 165, 40.