Egon Friedell
Egon Friedell (born as Egon Friedmann on 21 January 1878 in Vienna, died 16 March 1938 in Vienna) was a prominent Austrian philosopher, historian, journalist, actor, cabaret artist and theatre critic.
Related Topics:
21 January - 1878 - Vienna - 16 March - 1938 - Austrian - Philosopher - Historian - Journalist - Actor - Cabaret - Theatre critic
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Friedell was born as the third child of the Jewish silk manufacturer
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Moriz Friedmann and his wife Karoline (née Eisenberger). In 1887,
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his parents divorced and his mother left the family. After his
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father's death in 1891, Friedell lived with his aunt in
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Frankfurt am Main, where he attended school until he was expelled
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for unruly behaviour two years later. Even at this time, Friedell was
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considered a trouble maker and free thinker. He attended several
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schools in Austria and Germany, until he finally passed his
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abitur at the fourth attempt in Heidelberg in 1899.
Related Topics:
Abitur - Heidelberg - 1899
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In 1897, he had already enrolled as a guest student at
Related Topics:
1897 - Guest student
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Berlin University, reading German literature, natural sciences and philosophy. After passing his abitur, he enrolled
Related Topics:
Berlin University - German literature - Natural sciences - Philosophy
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at Heidelberg University, in order to study under Kuno Fischer, a historian of philosophy and follower of Hegel. In
Related Topics:
Heidelberg University - Kuno Fischer - Hegel
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1897, Friedell converted to the Lutheran faith. In 1899, he
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accepted his inheritance, which enabled him to live financially
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independently in Vienna.
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From 1900 to 1904, Egon Friedell studied philosophy in Vienna
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for nine terms. In 1904, he received his PhD for his thesis
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Novalis as a Philosopher before starting to perform in a
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cabaret. In 1905, he published his article Prejudices in
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Karl Kraus's journal Fackel, which includes the following
Related Topics:
Karl Kraus - Fackel
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quote:
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::The worst prejudice we acquire during our youth is the idea that life is serious. Children have the right instincts: they know that life is not serious, and treat it as a game...
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From 1908 on, Friedell published essays and one-act plays. His
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first literary effort was The Paraffin King. The sketch comedy
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Goethe made him famous in the German speaking countries. He
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also became the director of the cabaret Fledermaus.
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::There he stood, Egon Friedell, Doctor of Philosophy, jester of the audience, and like most jesters, far superior to his master. (Felix Salten)
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In 1910, Samuel Fischer commissioned Friedell to write a
Related Topics:
1910 - Samuel Fischer
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biography of Peter Altenberg. However, Fischer, who had expected
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something light, was unsatisfied by the book titled Ecce poeta, an
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analysis and critique of culture. The book, which was not promoted in
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any way, was a commercial failure, but marked the beginning of
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Friedell's interest in cultural history.
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In 1912, Friedell performed in Berlin, and in 1913, he
Related Topics:
1912 - Berlin - 1913
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worked as an actor for Max Reinhardt for a short time. From
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1914 on, Friedell suffered from alcoholism and obesity, and had to
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undergo treatment at a sanatorium near Munich. Friedell was as
Related Topics:
Sanatorium - Munich
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enthusiastic about the beginning of World War I as most of his
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contemporaries.
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In 1916, he officially changed his family name to Friedell. He
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had used Friedländer as a pen name for several of his
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publications, but had not used his family name Friedmann since his
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student days. In 1916, Friedell published the Judas Tragedy,
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and in 1922, he published Quarry — Miscellaneous Opinions and Quotations. In 1924, a satricial treatment of the journal Stunde ended his work as a critic for this publication: Friedell was fired as a "traitor."
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From 1919 to 1924, Friedell worked as a journalist and theatre
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critic for various publishers including the Neues Wiener Journal. He also accepted an offer from Max Reinhardt to work as a
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dramatic advisor, theatre director and actor for the Deutsches Theater in Berlin and the Burgtheater in Vienna. From 1927 on,
Related Topics:
Dramatic advisor - Theatre director - Deutsches Theater - Burgtheater - 1927
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his health problems prevented any permanent commissions, and he worked
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as an independent essayist, author and translator in Vienna.
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During this time, Friedell wrote the three volumes of his Cultural History of the Modern Age, which describes events from the
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Renaissance to the age of imperialism in anecdotes. In
Related Topics:
Renaissance - Imperialism - Anecdote
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1925, the publisher Hermann Ullstein received the first
Related Topics:
1925 - Hermann Ullstein
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volume, but he was suspicious of the historiography of an actor. After
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five other publishers had rejected the book, it was finally published
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by Heinrich Beck in Munich in 1927. The book proved very
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successful and allowed Friedell to continue his work as an author. It
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has been translated into seven languages.
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After the National Socialists came to power in
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Germany in 1933, all German and Austrian publishers refused to
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publish his works. In 1935, Friedell described the regime as
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::the realm of the Antichrist. Every trace of nobility, piety,
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education, reason is persecuted in the most hateful and base manner by
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a bunch of debased menials.
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In 1936, the first part of Friedell's Cultural History of Antiquity was published by Helikon in Zurich. Late in 1937,
Related Topics:
1936 - Zurich - 1937
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Friedell's works were confiscated by the National Socialist regime as
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they did not conform to the theory of history promoted by the
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NSDAP. In February 1938, Friedell's cultural history was
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banned in Germany. On the occasion of the Anschluss of Austria,
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Friedell told Ödön von Horvath in a letter written on 11 March: "I am always ready to leave, in every sense." Friedell began
Related Topics:
Ödön von Horvath - 11 March
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thinking about acquiring poison or a pistol.
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On 16 March 1938, at about 22:00, two SA men called at
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Friedell's house in order to take him away. While they were still
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arguing with his housekeeper, Friedell committed suicide by jumping
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out of the window. Friedell, of whom Hilde Spiel said "in him, the
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exhilarating fiction of the homo universalis rose once
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again", was interred in the Zentralfriedhof.
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