Comedy
Comedy is the use of humor in the performing arts. It also means a performance that relies heavily on humor. The term originally comes from theater, where it simply referred to a play with a happy ending, in contrast to a tragedy. The humor, once an incidental device used to entertain, is now an essential aspect of a comedy.
Derivation
The word "comedy" is derived from the Greek */cw/iCjiSia, which is a compound either of *kùi/jos (revel) and *ôoiôós (singer; *àüôeiv, áôav, to sing), or of */oójurç (village) and *óoiáós: it is possible that *kû.uos itself is derived from *kóijutj, and originally meant a village revel. The word comes into modern usage through the Latin comoedia and Italian commedia. It has passed through various shades of meaning. In the middle ages it meant simply a story with a happy ending. Thus some of Chaucer's Tales are called comedies, and in this sense Dante used the term in the title of his poem, La Commedia (cf. his Epistola X., in which he speaks of the comic style as "loquutio vulgaris, in qua et mulierculae communicant"; again "comoedia vero remisse et humiliter"; "differt a tragoedia per hoc, quod t. in principio est admirabilis et quieta, in fine sive exitu est foetida et horribilis"). Subsequently the term is applied to mystery plays with a happy ending. The modern usage combines this sense with that in which Renaissance scholars applied it to the ancient comedies.
Related Topics:
Middle ages - Chaucer - Dante - Mystery play - Renaissance
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The adjective "comic" (Greek *kco/ukós), which strictly means that which relates to comedy, is in modern usage generally confined to the sense of "laughter-provoking": it is distinguished from "humorous" or "witty" inasmuch as it is applied to an incident or remark which provokes spontaneous laughter without a special mental effort. The phenomena connected with laughter and that which provokes it, the comic, have been carefully investigated by psychologists, in contrast with other phenomena connected with the emotions. It is very generally agreed that the predominating characteristics are incongruity or contrast in the object, and shock or emotional seizure on the part of the subject. It has also been held that the feeling of superiority is an essential, if not the essential, factor: thus Hobbes speaks of laughter as a "sudden glory." Physiological explanations have been given by Kant, Spencer and Darwin. Modern investigators have paid much attention to the origin both of laughter and of smiling, the development of the "play instinct" and its emotional expression.
Related Topics:
Hobbes - Kant - Spencer - Darwin
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~ Table of Content ~
| ► | Introduction |
| ► | Origins |
| ► | Comedy drama |
| ► | Derivation |
| ► | Related articles |
| ► | See also |
| ► | External links |
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