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Color


 

Measurement and reproduction of color

Two different light spectra which have the same effect on the three color receptors in the human eye will be perceived as the same color. This is exemplified by the white light that is emitted by fluorescent lamps, which typically has a spectrum consisting of a few narrow bands, while daylight has a continuous spectrum. The human eye cannot tell the difference between such light spectra just by looking into the light source, although reflected colors from objects can look different. (This is often exploited e.g. to make fruit or tomatoes look more brightly red in shops.)

Related Topics:
Fruit - Tomato

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Similarly, most human color perceptions can be generated by a mixture of three colors called primaries. This is used to reproduce color scenes in photography, printing, television, and other media. There are a number of methods or color spaces for specifying a color in terms of three particular primary colors. Each method has its advantages and disadvantages depending on the particular application.

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No mixture of colors, though, can produce a fully pure color perceived as completely identical to a spectral color, although one can get very close for the longer wavelengths, where the chromaticity diagram above has a nearly straight edge. For example, mixing green light (530 nm) and blue light (460 nm) produces cyan light that is slightly desaturated, because response of the red color receptor would be greater to the green and blue light in the mixture than it would be to a pure cyan light at 485 nm that has the same intensity as the mixture of blue and green.

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Because of this, and because the primaries in color printing systems generally are not pure themselves, the colors reproduced are never perfectly saturated colors, and so spectral colors cannot be matched exactly. However, natural scenes rarely contain fully saturated colors, thus such scenes can usually be approximated well by these systems. The range of colors that can be reproduced with a given color reproduction system is called the gamut. The CIE chromaticity diagram can be used to describe the gamut.

Related Topics:
Color printing - Gamut - CIE

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Another problem with color reproduction systems is connected with the acquisition devices, like cameras or scanners. The characteristics of the color sensors in the devices are often very far from the characteristics of the receptors in the human eye. In effect, acquisition of colors that have some special, often very "jagged", spectra caused for example by unusual lighting of the photographed scene can be relatively poor.

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Species that have color receptors different from humans, e. g. birds that may have four receptors, can differentiate some colors that look the same to a human. In such cases, a color reproduction system `tuned' to a human with normal color vision may give very inaccurate results for the other observers.

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Next problem is different color response of different devices. For color information stored and transferred in a digital form, color management technique based on color profiles attached to color data and to devices with different color response helps to avoid deformations of the reproduced colors. The technique works only for colors in gamut of the particular devices, e.g. it can still happen that your monitor is not able to show you real color of your goldfish even if your camera can receive and store the color information properly and vice versa.

Related Topics:
Color management - Gamut

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Pigments and reflective media

When producing a color print or painting a surface, the applied paint changes the surface; if the surface is then illuminated with white light (which consists of equal intensities of all visible wavelengths), the reflected light will have a spectrum corresponding to the desired color. If a dab of paint looks red in white light, that is because the reflection of all non-red wavelengths is interrupted by the pigment, such that only red light is reflected into one's eye.

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Structural color

Structural color is a property of some surfaces that are scored with fine parallel lines, formed of many thin parallel layers, or otherwise composed of periodic microstructures on the scale of the color's wavelength, to make a diffraction grating. The grating reflects some wavelengths more than others due to interference phenomena, causing white light to

Related Topics:
Wavelength - Diffraction grating - Interference

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be reflected as colored light. Variations in the pattern's spacing often give rise to an iridescent effect, as seen in peacock feathers, films of oil, and mother of pearl, because the reflected color depends upon the viewing angle.

Related Topics:
Peacock - Mother of pearl

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Structural color is studied in the field of thin-film optics. A layman's term that describes particularly the most ordered structural colors is iridescence.

Related Topics:
Thin-film optics - Iridescence

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