Color

Color perception

There is an interesting phenomenon which occurs when an artist uses a limited color palette: the eye tends to compensate by seeing any grey or neutral color as the color which is missing from the color wheel. E.g.: in a limited palette consisting of red, yellow, black, and white, a mixture of yellow and black will appear as a variety of green, a mixture of red and black will appear as a variety of purple, and pure grey will appear bluish.

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When the eye shifts attention after viewing a color for some time, then an afterimage of the complement of that color (the color opposite to it in the color wheel) is perceived by the eye for some time wherever it moves. This effect of color perception was utilised by Vincent van Gogh, a Post-Impressionist painter.

Related Topics:
Afterimage - Complement - Vincent van Gogh - Post-Impressionist

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Effect of luminosity

Note that the color experience of a given light mixture may vary with absolute luminosity, because both rods and cones are active at once in the eye, with each having different color curves, and rods taking over gradually from cones as the brightness of the scene is reduced. This effect leads to a change in color rendition with absolute illumination levels that can be summarised in the "Kruithof curve".

Related Topics:
Luminosity - Kruithof curve

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Cultural influences

Different cultures have different terms for colors, and may also assign some color names to slightly different parts of the spectrum, or have a different color ontology: for instance, the Han character 青 (pronounced qīng in Mandarin and aoi in Japanese) has a meaning that covers both blue and green; blue and green are traditionally considered shades of 青; In more contemperary terms, they are ? (lán) and ? (l?) respectively.

Related Topics:
Color name - Han character - Mandarin - Japanese

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Similarly, languages are selective when deciding which hues are split into different colors on the basis of how light or dark they are. Apart from the black-grey-white continuum, English splits some hues into several distinct colors according to lightness: such as red and pink or orange and brown. To English speakers, these pairs of colors, which are objectively no more different that light green and dark green, are conceived as totally different. An Italian will make the same red-pink and orange-brown distinctions, but will also make a further distinction between blu and azzurro, which English speakers would simply call dark and light blue. To Italian speakers, blu and azzurro are as separate as red and pink or orange and brown.

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Color terms evolve. It is argued that there are a limited number of universal "basic color terms" which begin to be used by individual cultures in a relatively fixed order. For example, a culture would start with only two terms, meaning roughly 'dark' (covering black, dark colors and cold colors such as blue ) and 'bright' (covering white, light colors and warm colors such as red), before adding more specific color names, in the order of red; green and/or yellow; blue; brown; and orange, pink, purple, and/or gray. Older arguments for this theory also stipulated that the acquisition and use of basic color terms further along the evolutionary order indicated a more complex culture with more highly developed technology.

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A somewhat dated example of a universal color categories theory is Basic Color Terms: Their Universality and Evolution (1969) by Brent Berlin and Paul Kay. A more recent example of a linguistic determinism theory might be Is color categorisation universal? New evidence from a stone-age culture (1999) by Jules Davidoff et al. The idea of linguistically determined color categories is often used as evidence for the Sapir-Whorf hypothesis (Language, Thought, and Reality (1956) by Benjamin Lee Whorf).

Related Topics:
Brent Berlin - Paul Kay - Jules Davidoff - Sapir-Whorf hypothesis - Benjamin Lee Whorf

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Additionally, different colors are often associated with different emotional states, values, or groups, but these associations can vary between cultures. In one system, red is considered to motivate action; orange and purple are related to spirituality; yellow cheers; green creates cosiness and warmth; blue relaxes; and white is associated with either purity or death. These associations are described more fully in the individual color pages, and under color psychology.

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See also: National colors

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Color constancy

The trichromatric theory discussed above is strictly true only if the whole scene seen by the eye is of one and the same color, which of course is unrealistic. In reality, the brain compares the various colors in a scene, in order to eliminate the effects of the illumination. If a scene is illuminated with one light, and then with another, as long as the difference between the light sources stays within a reasonable range, the colors of the scene will nevertheless appear constant to us. This was discovered by Edwin Land in the 1970s and led to his retinex theory of color constancy.

Related Topics:
Edwin Land - 1970s - Color constancy

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Contrast

Note: the following comparison requires an all-digital display setup (commonly, a laptop or DVI-connected LCD) to avoid errors caused by an unfortunate interaction between frequency response and gamma curves.

Related Topics:
Laptop - DVI - LCD - Frequency response - Gamma curves

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Compare the visibility of the RGB primary and secondary colors against a white background:

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red

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green

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blue

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red+green

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green+blue

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red+blue

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red+green+blue

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zero light

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Again, compare variations on gray backgrounds—#7f7f7f, #5f5f5f & #9f9f9f—the eight RGB primaries are equidistant from #7f7f7f in a 3-d geometrical representation of RGB color space—a reminder of the importance of background color for color perception.

Related Topics:
Background color - Color perception

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Background = #7f7f7f

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red

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green

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blue

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red+green

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green+blue

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red+blue

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red+green+blue

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zero light

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And let's look at black again, for completeness. (Note that your monitor background probably is not perfectly black, as you can see by switching off the monitor.)

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Background = #000000

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red

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green

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blue

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red+green

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green+blue

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red+blue

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red+green+blue

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zero light

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