British rock
British rock was born out of the influence of rock and roll and rhythm and blues from the United States, but added a new drive and urgency, exporting the music back and widening the audience for black R & B in the U.S. as well as spreading the gospel world wide. Much of what has made rock music unique, in its ability to unite audiences and adapt new influences, came from British bands in the late 50s and rock groups in the early 60s.
Punk rock
Main article: Punk rock
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Punk rock started off as a reaction to the lush, producer-driven sounds of disco, and against the commercialism of most progressive rock. Early punk borrowed heavily from the garage band ethic: played by bands for which expert musicianship was not a requirement, punk was stripped-down, three-chord music that could be played easily and often bore a close resemblance to the American "punk rock" from the late 60's on the "Nuggets" collection issued in 1972 on Electra featuring artists like The Electric Prunes and The Seeds. Many of the new punk rock bands also intended to shock mainstream society, rejecting the "peace and love" image of the prior musical rebellion of the 1960s which had degenerated, punks thought, into mellow disco culture.
Related Topics:
Punk rock - Progressive rock - The Electric Prunes - The Seeds
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Punk rose to public awareness nearly simultaneously in Britain with the Sex Pistols and in America with the Ramones.
Related Topics:
Sex Pistols - Ramones
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The Sex Pistols chose aggressive stage names (including "Johnny Rotten" and "Sid Vicious") and did their best to live up to them, deliberately rejecting anything that symbolized "hippies": long hair, soft music, loose clothing, and liberal politics, and displaying an anarchic, often confrontational, stage presence (well represented on their debut single "Anarchy in the UK". Their second single release, "God Save The Queen" was a scathing polemic against British traditions and mores. Despite an airplay ban on the BBC the record rose to the top chart position in the UK. The Sex Pistols paved the way for The Clash, whose approach was less nihilistic but more overtly political and idealistic.
Related Topics:
Stage name - Anarchy in the UK - God Save The Queen - BBC - The Clash
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The Ramones (whose first album was actually released months before "God Save the Queen") exemplified the American side of punk: equally aggressive but mostly apolitical, more alienated, and not above (often illicit and self-destructive) fun for its own sake. The Ramones reigned as the kings of the New York punk scene, which also included Richard Hell and Television, and centered around rough-and tumble clubs, notably CBGB, a former bluegrass venue in Manhattan taken over by punks after the owner began booking punk bands on off nights. Punk was mostly an East-coast phenomenon in the US until the late 1970s when Los Angeles-based bands such as X and Black Flag broke through to wide recognition.
Related Topics:
New York - Richard Hell - Television - CBGB - Bluegrass - Manhattan - Los Angeles - X - Black Flag
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Punk rock attracted devotees from the art and collegiate world and soon bands sporting a more literate, arty approach, such as the Talking Heads and Devo began to infiltrate the punk scene; in some quarters the description New Wave began to be used to differentiate these less overtly punk bands.
Related Topics:
Talking Heads - Devo - New Wave
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If punk rock was a social and musical phenomenon, it garnered little in the way of record sales (small specialty labels such as Stiff Records had released much of the punk music to date) or American radio airplay, as the radio scene continued to be dominated by mainstream formats such as disco and AOR. Record executives, who had been mostly mystified by the punk movement, recognized the potential of the more accessible New Wave acts and began aggressively signing and marketing any band that could claim a remote connection to Punk or New Wave. Many of these bands, such as The Cars and The Go-Gos were essentially pop bands dressed up in New Wave regalia; others, including The Police and The Pretenders managed to parlay the boost of the New Wave movement into long-lived and artistically lauded careers.
Related Topics:
Stiff Records - Disco - AOR - The Cars - The Go-Gos - The Police - The Pretenders
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Punk and post-punk bands would continue to appear sporadically, but as a musical scene, punk had largely self-destructed and been subsumed into mainstream new-wave pop by the mid-1980s, but the influence of punk has been substantial. The grunge-rock movement of the late 1980s owes much to punk, and many current mainstream bands claim punk rock as their stylistic heritage. Punk also bred other genres, including hardcore, industrial music, and goth.
Related Topics:
Post-punk - Grunge - Hardcore - Industrial music - Goth
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~ Table of Content ~
| ► | Introduction |
| ► | 1950s birth of British rock |
| ► | 1960s rockers and rock groups |
| ► | Glam rock |
| ► | Punk rock |
| ► | Alternative rock |
| ► | Modern music |
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