Brion Gysin

Brion Gysin (January 19, 1916 - July 13, 1986) was a writer and painter.

Related Topics:
January 19 - 1916 - July 13 - 1986 - Writer - Painter

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He is best known for his rediscovery of Tristan Tzara's cut-up technique while cutting through a newspaper upon which he was trimming some mats. He did many experiments with cut-ups while living in Tangiers (where incidentally, he owned a cafe called the 1001 Nights in order to employ members of the Master Musicians of Joujouka so that he could hear them as frequently as possible). He shared his discovery with his friend William S. Burroughs, who subsequently put the cut-up technique to good use and dramatically changed the landscape of American literature.

Related Topics:
Tristan Tzara - Cut-up technique - Tangiers - Master Musicians of Joujouka - William S. Burroughs - American literature

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Gysin helped Burroughs with the editing of several of his novels, and wrote a script for a film version of Naked Lunch which was never produced. The pair collaborated on a large manuscript for Grove Press titled The Third Mind but it was determined that it would be impractical to publish it as originally envisioned. The book later published under that title incorporates little of this material.

Related Topics:
Naked Lunch - Grove Press - The Third Mind

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As a joke, he contributed a recipe for marijuana fudge to a cookbook by Alice B. Toklas; it was unintentionally included for publication, becoming famous under the name Alice B. Toklas brownies.

Related Topics:
Marijuana - Alice B. Toklas - Alice B. Toklas brownie

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A consummate innovator, Gysin altered the cut-up technique to produce what he called permutation poems in which a single phrase was repeated several times, with the words rearranged in a different order with each reiteration. A memorable example of this is "I don't dig work, man" (try it!)

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Many of these permutations were derived using a random sequence generator in an early computer program written by Ian Sommerville.

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He also experimented with permutation on recording tape, by splicing together the sounds of a gun firing recorded at different amplitudes in the BBC Radiophonic Workshop thus producing 'Pistol Poem.' The piece was subsequently used as a theme in 1960 for the performance in Paris of Le Domaine Poetique, a showcase for experimental works by people like Gysin, Françoise Dufrêne, Bernard Heidsieck, and Henri Chopin.

Related Topics:
BBC Radiophonic Workshop - Le Domaine Poetique - Experimental - Françoise Dufrêne - Bernard Heidsieck - Henri Chopin

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He worked extensively with the noted jazz soprano saxophonist Steve Lacy.

Related Topics:
Jazz - Steve Lacy

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In the early '60, together with Ian Sommerville, he built what is called the Dreamachine, a device meant to be viewed with the eyes closed.

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