Brigitte Bardot

Brigitte Bardot (born September 28, 1934 in Paris) is a French actress and model, daughter of an industrialist. Also known simply as BB ("Bri-Bri" in childhood) she is considered the embodiment of the 1950s "sex kitten."

Career

Bardot's beauty and natural sensuality began to show as a teenager and in 1952, she appeared on screen for the first time in Le Trou Normand. That same year, at age 18, she married director Roger Vadim, with whom she had been romantically involved for several years.

Related Topics:
1952 - Roger Vadim

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Although the European film industry was then in the ascendant, her personal rise was remarkable: she has been one of the few European actresses to receive mass media attention in the United States. She and Marilyn Monroe were the icons of female sexuality in the 1950s and 1960s and whenever she made public appearances in the United States the media hordes covered her every move.

Related Topics:
Europe - United States - Marilyn Monroe - 1950s - 1960s

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Her films of the early and mid 1950s were lightweight romantic dramas, some of them historical, in which she was cast as ingénue or siren, often with an element of undress. She played bit-parts in three English-language films, the British comedy Doctor at Sea (1955), Warner Brothers' Helen of Troy (1954), in which she was understudy for the title-role but only appears as Helen's handmaid, and Act of Love (1954) wth Kirk Douglas. Her French-languge films were dubbed for internationally release. "She is every man's idea of the girl he'd like to meet in Paris" said the film-critic Ivon Addams in 1955.

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Vadim was not content with this light fare. The New Wave of French and Italian art directors and their stars were riding high internationally and he felt Bardot was being undersold. Looking for something more like an art-film to push her as a serious actress, he showcased her in And God Created Woman (1956) with Jean-Louis Trintignant.

Related Topics:
New Wave - And God Created Woman - Jean-Louis Trintignant

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The film, about an amoral teenager in a respectable small-town setting, was a big international success, riding on the back of Bardot's high profile as a magazine celebrity and pin-up. She may have had an affair with her co-star Trintignant, but this was more likely a pre-release publicity gimmick. The film is often wrongly described as her first film (it was her seventeenth) and to have launched her overnight, but it did help move her towards the cinematic mainstream.

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It also ruled out a transition to Hollywood, where she was thought too risqué to handle. The Doris Day era was in still in full swing and even Jane Russell in The French Line (1953) had been thought to be going too far by showing her midriff. Fluffy erotica like Bardot's Cette sacrée gamine (That Crazy Kid, 1955) was considered fine at the box-office as long as it was clearly labelled "European". Also Bardot's limited English and strong accent (while beguiling to the ears of men) did not suit rapid-fire Hollywood scripts. In the event, staying in Europe benefited her image when the 1960s began to swing and Hollywood slipped into the background for a while, and Bardot was voted honorary sex-goddess to the decade.

Related Topics:
Hollywood - Doris Day - Jane Russell - 1960s

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Divorced from Vadim in 1957, she married actor Jacques Charrier (1959-62), by whom in 1960 she had her only child, Nicolas-Jacques Charrier. The marriage was preyed on by the paparazzi and there were clashes over Bardot's career-direction. Her films did become more substantial, but this brought a heavy pressure of dual celebrity as she sought critical acclaim while remaining to most of the world a glamour model.

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Vie privée (1960), directed by Louis Malle has more than an element of autobiography in it. The scene in which, returning to her flat, Bardot's character is harangued in the lift by a middle-aged cleaning-lady calling her a tramp and a tart was based on an actual incident, and is a resonant image of celebrity in the mid-20th century.

Related Topics:
Louis Malle - 20th century

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Soon after, Bardot withdrew to the seclusion of the South of France and is now known to have attempted suicide, but as the sexual revolution of the early 1960s gathered momentum her lifetyle began to seem more like the norm and the pressure lifted. She was happy through the sixties to appear in glossy star-vehicles like Viva Maria (1969), to dabble in pop-music and to perceive her main role as glamour model and icon. In 1965 she appeared as herself in the Hollywood production Dear Brigitte starring Jimmy Stewart.

Related Topics:
1965 - Hollywood - Jimmy Stewart

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Her other husbands were German millionaire playboy Gunther Sachs (1966-69), and French right-wing politician Bernard d'Ormale (1992-present). She has also had reputed relationships with many men including Serge Gainsbourg and Sacha Distel (singers), and apparently with Jimi Hendrix after a chance meeting at the airport in Paris.

Related Topics:
Serge Gainsbourg - Sacha Distel - Jimi Hendrix

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She is recognized for popularizing bikini swimwear in early films such as Manina (Woman without a Veil, 1952) and in her appearances at Cannes and in many photo-shoots. She even sported an early version of the monokini (topless bikini) from time to time. Though this was not considered extraordinary in France, where nudity on beaches is common, it was considered nearly scandalous in the US. The kooky fashions of the 1960s looked effortlessly right and spontaneous on her and she joined Marilyn Monroe and Jackie Kennedy in becoming a subject for Andy Warhol paintings.

Related Topics:
Bikini - Marilyn Monroe - Jackie Kennedy - Andy Warhol

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In 1970, the sculptor Alain Gourdon used Bardot as the model for a bust of Marianne, the French national emblem.

Related Topics:
1970 - Alain Gourdon - Marianne

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