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Bianca Ambrosetti

Bianca Ambrosetti (March 1, 1914 – 1929) was an Italian gymnast who competed in the 1928 Summer Olympics.

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Bianca And Falliero, Or The Council Of Three

• REDIRECT Bianca e Falliero

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Bianca and Maggie

• REDIRECT Bianca Montgomery and Maggie Stone

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Bianca Anghel

Bianca Anghel (born July 25, 1985) is a Romanian long track speed skater who participates in international competitions.

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Bianca (1913 film)

Bianca is a 1913 silent short film, written by Hanson Durham, and directed by Robert Thornby.

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Bianca (astronomy)

• REDIRECT Bianca (moon)

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Bianca (disambiguation)

Bianca is a given name and may also refer to:

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Bianca (film)

Bianca is an Italian comedy-mystery film directed by Nanni Moretti and released in 1984.

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Bianca (Mariah Carey Alter Ego)

• redirect Heartbreaker (Mariah Carey song)

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Bianca (Mariah Carey's alter ego)

• redirect Heartbreaker (Mariah Carey song)

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Bianca (Mariah Carey)

• redirect Heartbreaker (Mariah Carey song)

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Bianca (moon)

:There is also an asteroid called 218 Bianca.

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Bianca (opera)

Bianca is a one act opera by American composer Henry Kimball Hadley. The opera's libretto was an English-language adaptation of Carlo Goldoni's comedy The Mistress of the Inn by Grant Stewart. Hadley finished the score in January, 1917, and enterred it in a competition for the best American opera without chorus, for which William Wade Hinshaw offered a $1000 prize and a promise to produce the opera in New York City by the American Society of Singers. It won, and was produced on October 19, 1918 at the Park Theater in Manhattan, with the composer conducting, and soprano Maggie Teyte in the title role.

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Bianca (Othello)

Bianca is a fictional character in William Shakespeare's Othello (c.1601-1604). She is Cassio's jealous lover. Despite her brief appearance on stage, Bianca plays a significant role in the progress of Iago's scheme to incite Othello's jealousy of Cassio. Bianca is traditionally regarded as a courtesan, although this occupation is not specifically designated in the drama. The character was occasionally cut from performances in the 19th century on moral grounds.

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