Beauty

Beauty and aesthetics

Understanding the nature and meaning of beauty is one of the key themes in the philosophical discipline known as aesthetics.

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The composer and critic Robert Schumann distinguished between two kinds of beauty, natural beauty and poetic beauty: the former being found in the contemplation of nature, the latter in man's conscious, creative intervention into nature. Schumann indicated that in music, or other art, both kinds of beauty appear, but the former is only sensual delight, while the latter begins where the former leaves off.

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A common theory says that beauty is the appearance of things and people that are good. This has many supporting examples. Most people judge physically attractive human beings to be good, both physically and on deeper levels. The phrase "beauty is in the eye of the beholder" suggests that what one person finds beautiful won't always be what another sees.

Related Topics:
Appearance - Good - Physically attractive

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"Beauty as goodness" still has whole classes of significant counterexamples with no agreed solution. These include such things as a glacier, or a ruggedly dry desert mountain range. Most people find beauty in nature, despite it sometimes being "red in tooth and claw" (Tennyson). Another type of counterexample are comic or sarcastic works of art, which can be good, but are rarely beautiful.

Related Topics:
Glacier - Desert - Mountain - Nature - Claw - Tennyson

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It is well known that people's skills develop and change their sense of beauty. Carpenters may view an out-of-true building as ugly, and many master carpenters can see out-of-true angles as small as half a degree. Many musicians can likewise hear as dissonant a tone that's high or low by as little as two percent of the distance to the next note. Most people have similar aesthetics about the work or hobbies they've mastered.

Related Topics:
Carpenter - Building - Master - Angle - Degree

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