Basilica di San Giovanni in Laterano

Basilica di San Giovanni in Laterano — known in English as Saint John Lateran Basilica — is one of the five great ancient basilicas of Rome. The Catholic Church counts among them St. Lawrence outside the Walls, St. Mary Major, St. Peter and St. Paul outside the Walls. Originally called Basilica Salvatoris and Archbasilica of the Holy Savior, it is the oldest and ranks first among the great basilicas. It holds the title of ecumenical motherchurch among Catholics as it is the cathedral church of the popes.

Architectural history

An apse lined with mosaics and open to the air still preserves the memory of one of the most famous halls of the ancient palace, the "Triclinium" of Pope Leo III, which was the state banqueting hall. The existing structure is not ancient, but it is possible that some portions of the original mosaics have been preserved in a three-part mosaic: in the centre Christ gives their mission to the Apostles, on the left he gives the keys to St. Sylvester and the Labarum to Constantine, while on the right St. Peter gives the papal stole to Leo III and the standard to Charlemagne.

Related Topics:
Triclinium - Pope Leo III - Labarum - Papal stole - Charlemagne

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Some few remains of the original buildings may still be traced in the city walls outside the Gate of St. John, and a large wall decorated with paintings was uncovered in the 18th century within the basilica itself, behind the Lancellotti Chapel. A few traces of older buildings also came to light during the excavations made in 1880, when the work of extending the apse was in progress, but nothing was then discovered of real value or importance.

Related Topics:
City walls - 1880

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A great many donations from the popes and other benefactors to the basilica are recorded in the Liber Pontificalis, and its splendour at an early period was such that it became known as the "Basilica Aurea", or Golden Basilica. This splendour drew upon it the attack of the Vandals, who stripped it of all its treasures. St. Leo the Great restored it about 460, and it was again restored by Pope Hadrian, but in 896 it was almost totally destroyed by an earthquake— ab altari usque ad portas cecidit "it collapsed from the altar to the doors"— damage so extensive that it was difficult to trace the lines of the old building, but these were in the main respected and the new building was of the same dimensions as the old. This second church lasted for four hundred years and then burnt in 1308. It was rebuilt by Pope Clement V and Pope John XXII, only to be burnt down once more in 1360, but again rebuilt by Pope Urban V.

Related Topics:
Liber Pontificalis - Vandal - St. Leo the Great - 460 - Pope Hadrian - 896 - Pope Clement V - Pope John XXII - 1360 - Pope Urban V

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Through these various vicissitudes the basilica retained its ancient form, being divided by rows of columns into aisles, and having in front a peristyle surrounded by colonnades with a fountain in the middle, the conventional Late Antique format that was also followed by the old St Peter's. The façade had three windows, and was embellished with a mosaic representing Christ, the Saviour of the World. The porticoes were frescoed, probably not dating further back than the twelfth century, commemorating the Roman fleet under Vespasian, the taking of Jerusalem, the Baptism of the Emperor Constantine and his "Donation" of the Papal States to the Church. Inside the basilica the columns no doubt ran, as in all other basilicas of the same date, the whole length of the church from east to west, but at one of the rebuildings, probably that which was carried out by Clement V, the feature of a transverse nave was introduced, imitated no doubt from the one which had been, long before this, added at Basilica of Saint Paul Outside the Walls. It was probably at this time also that the church was enlarged.

Related Topics:
Peristyle - St Peter's - Roman fleet - Vespasian - Jerusalem - "Donation" of the Papal States - Basilica of Saint Paul Outside the Walls

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Some portions of the older buildings still survive. Among them the pavement of medieval Cosmatesque work, and the statues of St. Peter and Saint Paul, now in the cloisters. The graceful baldacchino over the high altar, which looks so utterly out of place in its present surroundings, dates from 1369. The stercoraria, or throne of red marble on which the popes sat, is now in the Vatican Museums. It owes its unsavoury name to the anthem sung at the papal enthronement, "De stercore erigens pauperem" ("lifting up the poor out of the dunghill", from Psalm 112). From the fifth century there were seven oratories surrounding the basilica. These before long were incorporated in the church. The devotion of visiting these oratories, which held its ground all through the medieval period, gave rise to the similar devotion of the seven altars, still common in many churches of Rome and elsewhere.

Related Topics:
St. Peter - Saint Paul - Cloister - 1369 - Vatican Museums

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Of the façade by Alessandro Galilei (1735), the cliché assessment has ever been that it is the façade of a palace, not of a church. Galilei's front, which is a screen across the older front creating a narthex or vestibule, does express the nave and double aisles of the basilica, which required a central bay wider than the rest of the sequence; Galilei provided it, without abandoning the range of identical arch-headed openings, by extending the central window by flanking columns that support the arch, in the familiar Serlian motif. By bringing the central bay forward very slightly, and capping it with a pediment that breaks into the roof balustrade, Galilei provides an entrance doorway on a more-than-colossal scale, framed in the paired colossal Corinthian pilasters that tie together the façade in the manner introduced at Michelangelo's palace on the Campidoglio.

Related Topics:
Alessandro Galilei - Palace - Narthex - Serlian motif - Corinthian pilasters - Michelangelo - Palace on the Campidoglio

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Lateran cloister

Between the basilica and the city wall there was in former times the great monastery, in which dwelt the community of monks whose duty it was to provide the services in the basilica. The only part of it which still survives is the cloister, surrounded by graceful columns of inlaid marble. They are of a style intermediate between the Romanesque proper and the Gothic, and are the work of Vassellectus and the Cosmati. This beautiful cloister dates to the early 13th century.

Related Topics:
Romanesque - Gothic - Vassellectus - Cosmati - 13th century

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Lateran bapistry

:Main article: Lateran Baptistery.

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The octagonal Lateran Bapistry stands somewhat apart from the basilica. It was founded by Pope Sixtus III, perhaps on an earlier structure, for a legend grew up that Constantine the Great had been baptized there and enriched the structure. (He was actually baptised in the East, by an Arian bishop.) This baptistry was for many generations the only baptistery in Rome, and its octagonal structure, centered upon the large basin for full immersions provided a model for others throughout Italy, and even an iconic motif of illuminated manuscripts, "The fountain of Life".

Related Topics:
Pope Sixtus III - Constantine the Great - Arian - Illuminated manuscript - Fountain of Life

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