Anti-folk


 
 

Anti-folk (or antifolk) is a genre of music related to punk rock and American folk music that originated in the mid-1980s in New York City.

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Anti-folk had its roots in punk rock, and is still considered by some to be an active subgenre within that scene. By a loose definition, Anti-folk combines the raw, abrasive, and frequently politically charged attitudes of the punk scene with the sounds of American folk tradition.

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Anti-folk, as appropriated by Beck on albums such as Mellow Gold and Stereopathetic Soul Manure, mixes the musical style of folk music with punk, as well as ironic and often nonsensical lyrics. This genre takes the earnestness of politically charged '60s hippie music and subverts it into something else: music that sounds raw and authentic, but mocks the seriousness and pretension of the established mainstream folk scene and also mocks itself. In Anti-folk, self-mockery and self-aggrandizement have somehow fused, just as political commentary fused with poppy love songs in the sixties.

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The Moldy Peaches, Ani DiFranco, and Beck are considered influential artists in this genre, and are primarily responsible for its popularity. Contemporary anti-folk music is popular in many parts of United States and has also made its mark in the UK and Europe, chiefly because of Rough Trade records, the Moldy Peaches, and Jeffrey Lewis, but also in large part due to self-sufficient music communities, venues, and many touring international acts building friendships and musical partnerships. The New York City anti-folk scene mostly revolves around the Sidewalk Cafe, a club in the East Village that hosts shows and an open mike night called the Anti-Hootenanny, hosted by songwriter and seminal Anti-folker Lach. Also notable in the community is Olive Juice Music, a collective and label centered around a recording studio run by Major Matt Mason USA, and Luv-A-Lot, a homemade label run by the prolific Dashan Coram.

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Anti-folk is a parent genre of other microbrew classifications such as Urban Folk and Counterfolk. Some performers, such as Dufus, Need New Body, and Man Man, have split with the scene and moved on. But is it a "genre," a "scene," a "community," or just a bunch of songwriters that like to hang out with each other? Most people involved would say it's a frankenstein combination of all of the above.

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Some examples of anti-folk performers:

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~ Table of Content ~

Introduction
External links
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