Andrzej Wajda

Andrzej Wajda (born March 6, 1926) is a Polish film director, one of the most prominent members of the Polish Film School.

Related Topics:
March 6 - 1926 - Polish - Film director - Polish Film School

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A major figure in the world of post-World War II Eastern European cinema, Wajda has chronicled his country's political and social evolution with sensitivity, fervor and a refusal to make compromises in dealing with difficult subjects. Once dubbed a symbol for a besieged country, Wajda has repeatedly drawn from Poland's history to suit his tragic sensibility, crafting an oeuvre of work that devastates even as it informs.

Related Topics:
World War II - Eastern European - Poland's history

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The son of a Polish cavalry officer who was killed early in World War II, Wajda fought in the Home Army against the Nazis when he was still a teenager. After the war, he studied to be a painter at Kraków's Academy of Fine Arts before entering the ?ód? Film School.

Related Topics:
Cavalry - Home Army - Nazis - Kraków - ?ód? Film School

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On the heels of his apprenticeship to director Aleksander Ford, Wajda was given the opportunity to direct a film on his own. With A Generation (1955), the first-time director poured out all his bitterness and disillusionment regarding blind patriotism and wartime heroics, using as his alter ego a young, James Dean-style antihero played by Zbigniew Cybulski. Wajda went on to make two more films of escalating brilliance, which further developed the antiwar theme of A Generation: Kanal (1956) and Ashes and Diamonds (1958), also starring Cybulski. While perfectly capable of turning out mainstream commercial pictures (often dismissed as "trivial" by his critics), Wajda was more interested in works of allegory and symbolism, with certain symbolic devices (such as setting fire to a glass of liquor, representing the flame of youthful idealism that was extinguished by the war) popping up repeatedly in his films.

Related Topics:
Aleksander Ford - A Generation - 1955 - Patriotism - James Dean - Zbigniew Cybulski - Kanal - 1956 - Ashes and Diamonds - Allegory - Symbolism

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In 1967, Cybulski was killed in an auto accident, whereupon the director articulated his grief with what is considered his most personal film, Everything for Sale (1969). Wajda's later devotion to Poland's burgeoning Solidarity movement was manifested in Man of Marble (1976) and Man of Iron (1981), with Solidarity leader Lech Wa??sa appearing as himself in the latter film. The director's involvement in this movement would prompt the Polish government to force Wajda's production company out of business.

Related Topics:
1967 - Everything for Sale - 1969 - Solidarity - Man of Marble - 1976 - Man of Iron - Lech Wa??sa - Polish government

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After several years' exile in France, Wajda returned to his politically liberated homeland in 1989. In the early '90s, he was elected a senator and also appointed artistic director of Warsaw's Teatr Powszchny. He continued to make films, addressing the topic of World War II in 1993's The Crowned-Eagle Ring and 1996's Holy Week. In 1997, the director went in a different direction with Miss Nobody, a coming-of-age drama that explored the darker and more spiritual aspects of a relationship between two high-school girls. Three years later, at the 2000 Academy Awards, Wajda was presented with an honorary Oscar for his numerous contributions to cinema; he subsequently donated the award to Kraków's Jagiellonian University.

Related Topics:
France - 1989 - Teatr Powszchny - 1993 - The Crowned-Eagle Ring - 1996 - Holy Week - 1997 - Miss Nobody - 2000 - Academy Awards - Oscar - Jagiellonian University

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