Ambroise Thomas

Charles Louis Ambroise Thomas (August 5, 1811 - February 12, 1896) was a French opera composer. He is best-known for his operas Mignon (1866) and his Shakespearean Hamlet (1868).

Related Topics:
August 5 - 1811 - February 12 - 1896 - French - Opera - Composer - Mignon - Shakespeare

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Thomas was born in Metz. His father was a musician and young Ambroise learned to play the piano and violin as a child. He studied at the Paris Conservatoire, and won the Grand Prix de Rome in 1832 for his cantata, Hermann et Ketty. Five years later (in 1837) his first opera, "La Double échelle," was produced at the Opéra Comique.

Related Topics:
Metz - Paris Conservatoire - Grand Prix de Rome - 1832 - Opéra Comique

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For the next five-and-twenty years Thomas's productivity was incessant, and most of his operatic works belonging to this period enjoyed an ephemeral popularity. A few of these are still occasionally heard on the continent, such as Le Caid (1849), Le Songe d'une nuit d'été (1850), Psyche (1857). The overture to Raymond (1851) has remained popular. From 1856 on, Thomas was a professor at the Conservatoire where he taught, among others, Massenet.

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So far the composer's operatic career had not been marked by any overwhelming success. He occupied a place among the recognized purveyors of operas in the French capital, but could scarcely claim to having achieved European renown. The production of "Mignon" at the Opéra Comique in 1866, however, at once raised Ambroise Thomas to the position of one of the foremost French composers. Goethe's touching tale had very happily inspired the musician; Mme Galli Marie, the original interpreter of the title-role, had modelled her conception of the part upon the well-known picture by Ary Scheffer, and Mignon at once took the fancy of the public, its success being repeated all over the continent. It has since remained one of the most popular operas belonging to the second half of the 19th century.

Related Topics:
1866 - Goethe - Ary Scheffer - 19th century

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Thomas now attempted to turn Shakespeare's Hamlet to operatic account. His opera of that name was produced with success at the Paris Opera in 1868, where it enjoyed a long vogue. If the music is scarcely adequate to the subject, it nevertheless contains some of the composer's best work. The scene of the esplanade is genuinely dramatic, the part of Ophelia is poetically conceived, and the ballet music is very brilliant.

Related Topics:
Shakespeare - Hamlet - Paris Opera

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Ambroise Thomas's last opera, "Françoise de Rimini," was given at the Opéra in 1882, but has not maintained itself in the repertoire. Seven years later "La Temple," a ballet founded on Shakespeare's play, was produced at the same theatre. Ambroise Thomas succeeded Auber as director of the Paris Conservatoire in 1871. His music is often distinguished by refined touches which reveal a sensitive mind, and there is a distinct element of poetry in his "Mignon" and "Hamlet," two operas that should suffice to keep the composer's memory green for some time to come.

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