Microsoft Store
 

Alain-René Lesage


 

Alain-René Lesage (May 8, 1668, SarzeauNovember 17, 1747, Boulogne), also spelled Le Sage was a French novelist and playwright born at Sarzeau, in the peninsula of Rhuys, between the Morbihan and the sea, Brittany.

Lesage's character and importance

Not much is known of Lesage's life and personality, and the foregoing paragraph contains not only the most important but almost the only facts available for it. The few anecdotes which we have of him represent him as a man of very independent temper, declining to accept the condescending patronage which in the earlier part of the century was still the portion of men of letters. Thus it is said that, on being remonstrated with, as he thought impolitely, for an unavoidable delay in appearing at the duchess of Bouillon's house to read Turcaret, he at once put the play in his pocket and retired, refusing absolutely to return. It may, however, be said that as in time so in position he occupies a place apart from most of the great writers of the 17th and 18th centuries respectively. He was not the object of royal patronage like the first, nor the pet of salons and coteries like the second. Indeed, he seems all his life to have been purely domestic in his habits, and purely literary in his interests.

Related Topics:
Duchess of Bouillon - 17th

~ ~ ~ ~ ~ ~ ~ ~ ~ ~

The importance of Lesage in French and in European literature is not entirely the same, and he has the rare distinction of being more important in the latter than in the former. His literary work may be divided into three parts. The first contains his Theatre de la Foire and his few miscellaneous writings, the second his two remarkable plays Crispin and Turcaret, the third his prose fictions. In the first two he swims within the general literary current in France; he can be and must be compared with others of his own nation. But in the third he emerges altogether from merely national comparison. It is not with Frenchmen that he is to be measured. He formed no school in France; he followed no French models. His work, admirable as it is from the mere point of view of style and form, is a parenthesis in the general development of the French novel. That product works its way from Madame de la Fayette through Marivaux and Prévost, not through Lesage. His literary ancestors are Spaniards, his literary contemporaries and successors are Englishmen. The position is almost unique; it is certainly interesting and remarkable in the highest degree.

Related Topics:
Madame de la Fayette - Marivaux - Prévost

~ ~ ~ ~ ~ ~ ~ ~ ~ ~