Acoustic Alchemy

Acoustic Alchemy are a British contemporary instrumental and smooth jazz band formed in England in the early eighties (c. 1981). Originally fronted by acoustic guitarists Nick Webb and Simon James, the band has evolved gradually and is still in existence to this day.

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During the eighties, there was little grateful audience for this form of music in the UK, and the big players in the genre were all American. The pioneering sound of two duelling acoustic guitars—Simon James on nylon and Nick Webb on steel—was a fresh touch on the genre, and hence the immediate success of the band, backed up by string quartet The Violettes. In the mid-eighties, James left the band to focus on other projects; Nick Webb then went on to discover Greg Carmichael, who became James' immediate successor.

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The new pair began playing as an in-flight band on Virgin Atlantic flights to and from the States—after sending some demo material to Nashville-based label MCA, the band were called six weeks later to record their first album. The pair had literally played their way to America, and in 1987 released their debut album, "Red Dust And Spanish Lace". The project saw them joining forces with other like-minded musicians such as Mario Argandoña and Bert Smaak. The album was recorded at the Hansa Haus Studios, in Bonn, Germany. This was where they met engineer Klaus Genuit, who the band have stayed working with to this day.

Related Topics:
Virgin Atlantic - MCA

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"Red Dust And Spanish Lace" was an instant radio hit—the first single, "Mr. Chow", fused aspects of Chinese music with reggae. Other songs, such as "The Stone Circle" still stand out as some of the band's finest work. Two more albums followed with MCA—"Natural Elements" (1988) and the more poppier "Blue Chip" (1989).

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Acoustic Alchemy were soon tempted away from MCA to the world's biggest jazz label, GRP Records. Six more albums followed, starting with the 9-track "Reference Point" (1990), featuring a cover of Dave Brubeck's classic, "Take Five". The track was the band's only cover to this day. The critically acclaimed "Back On The Case" (1991) followed, with a ten-track collection which rivalled the innocent brilliance of the band's debut four years previous. Webb also uncovered fourteen early tracks from 1982-1987, featuring Simon James, which were released as a compilation called "Early Alchemy" (1992). "The New Edge" (1993) and "Against The Grain" (1994) came next, to mixed reviews.

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For their eighth album, "Arcanum" (1996), the band decided to take a retrospective look back by re-recording some of the band's most popular tracks. The album was recorded in London's Pinewood Studios, along with the string section of the London Metropolitan Orchestra. The collection included three new tracks, "Columbia", "Something She Said" and "Chance Meeting", along with recreations of nine classics.

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"Positive Thinking" (1998) was to be Acoustic Alchemy's last album with original frontman Nick Webb. He was diagnosed with pancreatic cancer prior to starting work on it, and sadly got progressively worse throughout the project. In the end, he could only offer inspiration, as he was too weak to play at recording sessions. Nick Webb passed away on February 5, 1998. However, the album was perceived as one of the band's best.

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After Nick Webb's passing, Greg Carmichael decided to keep the band alive, but with big changes. He brought in understudy Miles Gilderdale as his playing partner, and the band moved label, to Higher Octave Music, home of fellow guitarist Craig Chaquico, and popular synth trio 3rd Force. The debut album on the label, "The Beautiful Game" (2000) was dramatically different. New, stronger influences came from all sorts of genres, and it soon became clear that experimentation and diversity had further heightened in priority.

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"AArt" (2001) was released a year after, and was their biggest and best release to date. Containing fourteen tracks, and with assistance from saxophonist Jeff Kashiwa, the album was nominated for a Grammy Award.

Related Topics:
Jeff Kashiwa - Grammy Award

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Acoustic Alchemy's third Higher Octave Music release, "Radio Contact" (2003), featured the band's first ever track to include a vocal, "Little Laughter". The vocal was performed by Jo Harrup, a backing vocalist found by Gilderdale whilst doing a session with Latin singer, Enrique Iglesias.

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The band's latest release, "American/English" (2005), is an eleven track collection which further explores a wide range of varying genres, all with the signature Acoustic Alchemy feel.

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