Academy Award for Best Cinematography
The Academy Award for Best Cinematography is awarded each year to a cinematographer for his work in one particular motion picture.
1960s
- 1960 - Freddie Francis, Sons and Lovers (B&W)
- - Russel Metty, Spartacus (Color)
- 1961 - Eugen Shuftan, The Hustler (B&W)
- - Daniel P. Fapp, West Side Story (Color)
- 1962 - Jean Bourgoin and Walter Wottitz, The Longest Day (B&W)
- - Freddie Young, Lawrence of Arabia (Color)
- 1963 - James Wong Howe, Hud (B&W)
- - Leon Shamroy, Cleopatra (Color)
- 1964 - Walter Lassally, Zorba the Greek (B&W)
- - Harry Stradling, My Fair Lady (Color)
- 1965 - Ernest Laszlo, Ship of Fools (B&W)
- - Freddie Young, Doctor Zhivago (Color)
- 1966 - Haskell Wexler, Who's Afraid of Virginia Woolf? (B&W)
- - Ted Moore, A Man for All Seasons (Color)
- 1967 - Burnett Guffey, Bonnie & Clyde
- Conrad Hall, In Cold Blood
- Richard H. Kline, Camelot
- Robert Surtees, Doctor Dolittle
- Robert Surtees, The Graduate
- 1968 - Pasqualino De Santis, Romeo and Juliet
- Daniel L. Fapp, Ice Station Zebra
- Ernest Laszlo, Star!
- Oswald Morris, Oliver!
- Harry Stradling, Funny Girl
- 1969 - Conrad Hall, Butch Cassidy and the Sundance Kid
- Daniel Fapp, Marooned
- Arthur Ibbetson, Anne of the Thousand Days
- Charles B. Lang, Bob & Carol & Ted & Alice
- Harry Stradling, Hello, Dolly!
From 1967, there was a single award again:
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| ► | 1920s |
| ► | 1930s |
| ► | 1940s |
| ► | 1950s |
| ► | 1960s |
| ► | 1970s |
| ► | 1980s |
| ► | 1990s |
| ► | 2000s |
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