Abraham Polonsky
Abraham Lincoln Polonsky (December 5, 1910 - October 26, 1999) was an American screenwriter blacklisted by the Hollywood movie studio bosses in the 1950s.
Related Topics:
December 5 - 1910 - October 26 - 1999 - American - Screenwriter - Blacklisted - Hollywood - Movie studio
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Abraham Polonsky was born in New York City as the oldest son of Jewish immigrants from Russia. His father was a pharmacist. In 1928 Polonsky entered City College of New York and after graduating he studied at Columbia Law School, receiving his B.A. in 1935. He practiced law and taught at the New York City College. In 1937 he left his work as a lawyer and decided to devote himself to writing, first for radio. Polonsky wrote essays, radio scripts and several novels before starting his career in Hollywood.
Related Topics:
New York City - Jewish - Russia - City College of New York - Columbia Law School - Law - Lawyer
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Sometime in the late 1930s Polonsky also joined the American Communist Party. He participated in the union politics and established and edited a local newspaper, The Home Front. In 1940 Polonsky published his first novel, a mystery story The Goose Is Cooked, which he wrote with Mitchell A. Wilson, using co-pseudonym Emmert Hogarth.
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Polonsky signed a screenwriter's contract with Paramount before leaving the US to serve in Europe in the Office of Strategic Services during World War II (from 1943 to 1945). After the war he returned to Hollywood writing for Paramount Pictures. After a brief stint at Paramount, he wrote the screenplay for Robert Rossen´s independent production Body and Soul, (1947) starring John Garfield and Lilli Palmer. In the movie when John Garfield's boxer finds his life threatened because he changes his mind about throwing a fight, he replies with the Polonsky-written line, "What can you do, kill me? Everybody dies." The screenplay was nominated for an Academy Award. After the success of Body and Soul, Polonsky became a film director.
Related Topics:
Office of Strategic Services - World War II - Paramount Pictures - Robert Rossen - Body and Soul - John Garfield - Lilli Palmer - Academy Award
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Polonsky's first film as a director, Force of Evil (1948), is considered by some to be the most overtly political of all the crime films of the 1940s. Garfield plays a corrupt lawyer who faces a moral crisis over a Fourth of July weekend. Force of Evil was not successful when released in the United States but it was hailed as a masterpiece by film critics in England. The film was based on Tucker's People by Ira Wolfert.
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Polonsky´s film projects were stopped when he refused to testify before the House Un-American Activities Committee (HUAC) in 1951. Illinois congressman Harold Velde called the director a "very dangerous citizen" at the hearings. While blacklisted, Polonsky had one film script used after it was submitted under a pseudonym. With Harry Belafonte and Robert Wise he made Odds Against Tomorrow (1959). Polonsky wasn't given public credit for the screenplay until 1997 when the Writers' Guild of America restored his name to the films credits.
Related Topics:
House Un-American Activities Committee - Odds Against Tomorrow - Writers' Guild of America
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In 1968, Polonsky was the screenwriter for Madigan, a police thriller, where Polonsky once again used his own name in the credits. The film was directed by Don Siegel, starring Richard Widmark and Henry Fonda.
Related Topics:
Madigan - Don Siegel - Richard Widmark - Henry Fonda
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In the early 1980s he was an uncredited scriptwriter for Mommie Dearest, based on Christina Crawford's memoirs of her mother Joan Crawford, and The Man Who Lived at the Ritz (1981), based a novel by A.E. Hotchner. He received the Career Achievement Award of the Los Angeles Film Critics Association in 1999. From 1998 1999 he taught a philosophy class at USC School of Cinema-Television called "Consciousness and Content". Polonsky died on October 26, 1999, in Beverly Hills, Ca.
Related Topics:
Mommie Dearest - Joan Crawford - Los Angeles Film Critics Association - 1999 - USC School of Cinema-Television - October 26 - Beverly Hills
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~ Table of Content ~
| ► | Introduction |
| ► | Quote |
| ► | Films as screenwriter |
| ► | As director-screenwriter |
| ► | Novels and essays |
| ► | External links |
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